Part One: Not Feeling Festive
By Meredith Brody
May 3, 2022
The pandemic disrupted virtually (pun unintended, but hiya, Dr. Freud!) every aspect of my life, but none more thoroughly or dismayingly than the one that contributed most of its bliss, excitement, and travel (not to mention remuneration, once I’d written about them): attending film festivals.
By C.J. Hirschfield
April 21, 2022 (updated April 23)
Just as the Academy Award-nominated feature documentary ATTICA effectively used historical footage and interviews with key participants to illustrate our country’s history of systemic racism, so too does the excellent new documentary AMERICAN JUSTICE ON TRIAL. 
By Nancy Friedman
April 1, 2022
Here’s what you can expect at any film festival: new films, fun swag, revealing Q&A sessions with filmmakers, stimulating conversations in the lobby or in the line for the restrooms. At the International Ocean Film Festival—North America’s oldest and largest ocean film festival–you can expect all that and something more: a call to action.
By C.J. Hirschfield
In 2020, more people in San Francisco died of overdoses than of covid-19—an almost impossible statistic to comprehend.
So a film featuring people living in that city who are in recovery from addiction is timely and hopeful; what is unique is that all nine of them have had their lives dramatically transformed by the “alternative high” they achieve through art-making.
By Pam Grady
The Stockholm Syndrome was not yet recognized in 1970, but Robert Hossein’s Falling Point (Point de chute) provides a thrilling depiction of the complex. Screening as part of Donald Malcolm’s MidCentury Productions’ “The French Had a Name For It,” his ongoing survey of French noir taking place at the Roxie, Nov. 12-14, this intimate drama stars pop star Johnny Hallyday at the height of his beauty as Vlad, a kidnapper holding teenage Catherine (Pascale Rivault) hostage at an isolated seaside cabin. While his confederates (Hossein and Albert Minski) are away dealing with the ransom, Catherine’s escape attempts perversely draw her closer to her abductor.
FRENCH NOIR GALLERY of Trailers and Posters
We have searched the Internet for evocative posters and images plus trailers and film excerpts to give you a sense of the treats in store for you at “The French Had A Name For It ‘21”
By Gary Meyer
For over a year few of us could go to a theater and enjoy movies the way they were meant to be seen. Audiences are slowly feeling comfortable returning as theaters have made a host of improvements to protect us and to my knowledge no new cases of Covid have been tracked to a cinema.
If you love them movies I hope that you will enjoy this entire article.
By C.J. Hirschfield
On the day of this writing, 13,464 trays of strawberries were harvested in California, the state that produces 83 percent of the strawberries grown in the U.S. Who picks them? Kids as young as 12.
Poster by Maribel Martinez and Yen Tan
By C.J. Hirschfield
When the feature documentary Word is Out: Stories of Some of Our Lives was released in 1977, it rocked my world. I already loved documentaries, but this one–widely considered to be the first feature film about lesbian and gay identity–by gay people, quickly became a symbol of the emerging gay rights movement. I was living in glorious San Francisco at the time, where the film premiered at the Castro Theater. Directed by six people collectively known as the Mariposa Group, it took five years, and over two hundred interviews with gays, to complete the historic project.
by C.J. Hirschfield
The first public performance of San Francisco’s renowned Gay Men’s Chorus took place in 1978 at an impromptu memorial at City Hall for pioneer gay rights advocate and city supervisor Harvey Milk and mayor George Moscone, who had been assassinated earlier that same day. It’s worth noting that they performed a religious song: “Thou, Lord, Hast Been our Refuge.” The tens of thousands of mourners had marched to City Hall from Castro Street.
Since that time, the world’s first gay chorus has performed all over the world.
The Other Side of the Lost Continent Returns With A 30s French Comedy So Good You’ll Wonder How It Ever Became So Forgotten Continue reading
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