“THE FRENCH HAD A NAME FOR IT 2021” Salutes Robert Hossein

By Pam Grady

The Stockholm Syndrome was not yet recognized in 1970, but Robert Hossein’s Falling Point (Point de chute) provides a thrilling depiction of the complex. Screening as part of Donald Malcolm’s MidCentury Productions’ “The French Had a Name For It,” his ongoing survey of French noir taking place at the Roxie, Nov. 12-14, this intimate drama stars pop star Johnny Hallyday at the height of his beauty as Vlad, a kidnapper holding teenage Catherine (Pascale Rivault) hostage at an isolated seaside cabin. While his confederates (Hossein and Albert Minski) are away dealing with the ransom, Catherine’s escape attempts perversely draw her closer to her abductor.

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Let’s All Go To The Movies!

By Gary Meyer

For over a year few of us could go to a theater and enjoy movies the way they were meant to be seen. Audiences are slowly feeling comfortable returning as theaters have made a host of improvements to protect us and to my knowledge no new cases of Covid have been tracked to a cinema.

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If you love them movies I hope that you will enjoy this entire article.

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Fruits of Labor

By C.J. Hirschfield

On the day of this writing, 13,464 trays of strawberries were harvested in California, the state that produces 83 percent of the strawberries grown in the U.S. Who picks them? Kids as young as 12.

 

Poster by Maribel Martinez and Yen Tan

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Unsung Heroes Through the Night

By C.J. Hirschfield

Shanina and Noah

Shanona Tate is one of the frontline workers we have come to revere as of late—a pediatric emergency room nurse who works the overnight shift at a New York hospital. We can bang pots and pans to acknowledge her service and that of other employees within essential industries who must physically show up to their jobs—at whatever hour–but until we really see the economic and psychic toll it takes we can’t begin to understand how our current system is not working for them.

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IRMI—An Interesting Life, Indeed

By C.J. Hirschfield

When the feature documentary Word is Out: Stories of Some of Our Lives was released in 1977, it rocked my world. I already loved documentaries, but this one–widely considered to be the first feature film about lesbian and gay identity–by gay people, quickly became a symbol of the emerging gay rights movement. I was living in glorious San Francisco at the time, where the film premiered at the Castro Theater. Directed by six people collectively known as the Mariposa Group, it took five years, and over two hundred interviews with gays, to complete the historic project.

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