THE RARE VANTAGE – Women Behind the Camera

by Frako Loden

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In all my filmgoing career, spotting a female name for the cinematographer credit has been a rare and confounding experience. First, its rarity makes me take notice. (Rachel Morrison was the first woman nominated for a cinematography Oscar, for 2017’s Mudbound. The first woman invited to join the American Society of Cinematographers, in existence since 1919, was Brianne Murphy in 1980 for Anne Bancroft’s Fatso.) Second, what’s confounding is not knowing what to make of the credit. Should I look for what might be an essentialist female vision? A feminist vision? A female gaze? A gaze that transcends notions of gender? A completely rare vantage altogether, and then what would that be? As the number of women directors of photography increases in narrative and documentary films, will their gender cease to matter?

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JOAN NATHAN’S RECIPES FROM KING SOLOMON’S TABLE

A Culinary Exploration of Jewish Cooking from Around the World

From the James Beard Award-winning, much-loved cookbook author and authority: an around-the-world collection of recipes from the global Jewish diaspora—an essential book of cooking and culture. We feature two favorites from this beautiful book: Double-Lemon Roast Chicken and Flourless Chocolate Cake. They make a meal fit for queens and kings.

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OY, HAVE I GOT A FILM FOR YOU A Preview of the 39th San Francisco Jewish Film Festival, 2019

By Gary Meyer

One of the challenges for any film festival is finding the perfect opening night movie.

A curator wants a terrific movie first but also it must be a crowd pleaser— Not too experimental or heavily political. You don’t want to alienate the opening night audience who may not be as adventurous as those attending many other movies during the event. They need to leave the theater in a good mood and hopefully want to return for more shows. But you want it to be a movie that also means something to people and leaves them thinking as well as entertained.

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Opening Night photo by Pat Mazzera

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