SONGWRITER DIANE WARREN IS RELENTLESS

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An interview with Film Director Bess Kargman

By Noma Faingold

(July 18, 2024)

Director Bess Kargman knew going in that prolific songwriter Diane Warren, the subject of her latest documentary, doesn’t fully trust anybody. “It’s not in her nature,” Kargman said. “The biggest challenge was earning her trust. I had to navigate when to push her. She would get really anxious sitting in a chair too long and being away from her work.”

Diane Warren: Relentless screens on August 3, at 3:30 p.m., at the Piedmont Theatre, (4186 Piedmont Ave., Oakland) during the 44th Annual San Francisco Jewish Film Festival, July 18-August 4. Complete Festival Information and tickets.

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Partners in Food and Film: An Interview

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An Interview with SIFF27 Culinary Excellence Award winner, Chef Susan Feniger and filmmaker Liz Lachman.

By Geneva Anderson

(March 20, 2024)

When Los Angeles filmmaker and Emmy award winner Liz Lachman (“Pin-Up,” “Getting to Know You”) set out to make her first feature-length film about partner, Chef Susan Feniger, opening her first solo restaurant in Los Angeles in 2009, she already had lots of footage.  The idea of capturing Susan’s journey in realizing “Street,” a dining concept that would bring a variety of global street foods together under one roof and doing this without her longtime business partner and co-chef Mary Sue Milliken, had been simmering for 13 years. Continue reading →

Why December 4th is the Date To Reintroduce Yourself To… THE LOST CONTINENT OF CLASSIC FRENCH FILM NOIR

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By Owen Field

(Including fragments of an interview with Midcentury Productions’ Don Malcolm.) (November 30, 2023)

THE FRENCH HAD A NAME FOR IT is one of the world’s best-kept open secrets, spilling out a world of film noir—or, more accurately, perhaps, a “lost continent” that has been relentlessly explored at the Roxie Theater in San Francisco since November 2014.

Lino Ventura in WITNESS IN THE CITY (UN TEMOIN DANS LA VILLE)

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“Pandora’s Box” – A Stunning Film on the Big Screen at the Spectacular Paramount

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By Nancy Friedman

(April 25, 2023)

Maligned, misunderstood, and mercilessly censored when it was released in 1929 – and virtually forgotten for the next three decades – Pandora’s Box (Die Büchse der Pandora) is today acknowledged as one of the masterpieces of silent cinema. That honor is attributable in part to the artistry of director Georg Wilhelm Pabst and cinematographer Günther Krampf, two giants of German film. But the film’s real magic resides in the indelible performance of its American star, Louise Brooks, whom the film historian David Thomson has called “one of the most mysterious and potent figures in the history of the cinema.” The British film critic Pamela Hutchinson has said that Brooks – with her impish smile, dancer’s lithe body, and gleaming black helmet of bobbed hair – “both defines the Roaring Twenties and stands outside it. She is timeless.” 

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A House Made of Splinters

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By C.J. Hirschfield

(March 8, 2023)

Some feature length documentaries transport you across the world, into space, or under the ocean, exploring fantastic and fascinating environments that you never could have imagined.

The Academy-Award nominee A House Made of Splinters takes place under just one roof, and the drama is no less compelling for it. Inside the walls of an Eastern Ukraine temporary shelter for children, there is compassion, friendship, love, and joy, mixed with fear, pain, and lost childhood.

 

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This Ocean Film Festival Does More Than See the Sea

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By Nancy Friedman

April 1, 2022

Here’s what you can expect at any film festival: new films, fun swag, revealing Q&A sessions with filmmakers, stimulating conversations in the lobby or in the line for the restrooms. At the International Ocean Film Festival—North America’s oldest and largest ocean film festival–you can expect all that and something more: a call to action.

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CITY LIGHTS at the Paramount: The Little Tramp Meets the Orchestra

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February 18, 2022

By Nancy Friedman

Its running time is just 87 minutes. It has only three main characters. Its filming locations were confined mostly to downtown Los Angeles and studio soundstages. 

But in its way Charlie Chaplin’s 1931 film City Lights qualifies as an epic—and so does the story behind the San Francisco Silent Film Festival’s one-night-only presentation of this silent masterpiece, accompanied by the Oakland Symphony under the direction of Timothy Brock, at Oakland’s Paramount Theatre on Saturday, February 19. 

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THE UNKNOWN CHAPLIN, a Turkish CITY LIGHTS Remake(!) and more surprises

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Possibly the best documentary about Chaplin is The Unknown Chaplin. In three parts you can watch here it captures the cinematic genius as he was never meant to be seen. Using countless reels of rushes, outtakes, and abandoned films Chaplin had wanted destroyed, film archivists Kevin Brownlow and David Gill have meticulously crafted an essential and fascinating documentary homage to the Little Tramp who will no doubt keep us laughing until the last flickering frame.

We suggest that you watch The Unknown Chaplin after you see City Lights.

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UNDERSTANDING WHAT HAPPENED AT ATTICA

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Ashia Solei Interviews Stanley Nelson

Co-Directors Stanley Nelson and Traci Curry brilliantly reshape race narrative in ATTICA by giving voice to the unheard minorities and disrupting the dominant historical narrative. It is a strategy that Nelson has used in his many films including THE MURDER OF EMMETT TILL, JONESTOWN: THE LIFE AND DEATH OF PEOPLE’S TEMPLE and MILES DAVIS: BIRTH OF THE COOL.

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