JOHN LEWIS: GOOD TROUBLE

by C.J. Hirschfield

At age 79, and after 60 years of activism, John Lewis is still organizing; still mobilizing; still legislating. Oh yes, and he’s definitely still dancing.

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In the illuminating and luminous new documentary, John Lewis: Good Trouble, acclaimed Bay Area director Dawn Porter (Trapped, Gideon’s Army) creatively and conscientiously chronicles the life and career of the legendary civil rights activist and Democratic Congressman from Georgia.

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BEHIND THE SCENES AT THE “MOSTLY BRITISH FILM FESTIVAL”

Have you ever wondered how movies are selected for film festivals? EDF wanted to know about the process of creating an exciting line-up and we learned a lot interviewing Ruthe Stein , founder and Co-Director of the Mostly British Film Festival 2020, playing at San Francisco’s Vogue Theatre February 13-20.

Screen Shot 2020-02-08 at 12.18.54 PM.pngEDF: You must look at scores of movies. How do you find them?

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SHOOTING THE MAFIA: NOT ENOUGH MUSCLE

By C.J. Hirschfield

There is no doubt that the story of octogenarian Italian photojournalist Letizia Battaglia is an interesting one. A talented artist/activist/elected official/ iconoclast who has experienced spousal abuse, sexual discrimination, and many long affairs with much younger men, she has for decades documented the atrocities of the Mafia in her home town of Palermo, Sicily.Screen Shot 2019-11-30 at 11.42.16 AM.png

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FIRE IN PARADISE: Questioning the New Normal

by C.J. Hirschfield

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The new Netflix documentary Fire in Paradise was planned for release near the one-year anniversary of the Camp Fire in Butte County, the country’s deadliest wildfire in over a century. The fire killed 85 people in the town of Paradise. As the film’s November 1st release date approached, Oakland-based co-director Drea Cooper recalls feeling good that the 2019 fire season was not as bad as last year. But by the time the actual date arrived, the entire state of California had endured three weeks of flames, and causing millions of people to be without power–including Drea and his family. “Surreal,” is how he puts it. Surreal, but as the film suggests, also the new normal.

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