On making the movie Wilder Than Wild, excerpted from Stories Make the World, Reflections on Storytelling and the Art of the Documentary by Stephen Most.
People have always used fire to protect human life from nature and to alter what nature provides. A key sequence in the story of humanity and fire is the Industrial Revolution when energy from burning fossil fuels began to drive machines. Within vehicles and factories, generators and outlets, appliances, and innumerable devices, firepower is concealed. As people in increasing numbers leave rural areas and fill cities, they perceive fire more as a threat than a tool. Continue reading
By Risa Nye
A fine layer of ash drifted through an open window on a recent windy night, covering my desk and keyboard with a reminder, as if I needed one, of the fires that still burn in the Bay Area and beyond. How timely, then, to view Wilder than Wild, a documentary by producer/director Kevin White and writer/producer Stephen Most, which explains and demystifies “megafires” so large they can be seen from space.
By C.J. Hirschfield
Dildoes and devotion; porno and piety.
Oy gevalt. How to rationalize living in a daily mashup of these very different worlds is at the heart of the wonderful new documentary Circus of Books, premiering on Netflix April 22.
Barry and Karen Mason. Photo courtesy of Netflix/Huffpost/Getty
An excerpt from the new book by James Curtis.
Have you ever marveled at the “look” of certain movies? The art direction creates a memorable world. For example, The Son of the Sheik……
William Cameron Menzies’ original rendering of Ahmed’s desert retreat for The Son of the Sheik (1926). Economies scotched the design, a shame considering it would be Rudolph Valentino’s final film and a formidable commercial success. (courtesy of Pamela Lauesen)