The Telluride Film Festival 2014

by Gary Meyer

Labor Day, 1975.  I had heard so much about this unique little festival in the San Juan Mountains of Colorado after their first year that it seemed I could not miss it. The second festival featured a selection of new international movies and a healthy menu of classics including silents with live music plus tributes to classic American director Henry King, actor Jack Nicholson, and German director Werner Herzog. It proved to be a weekend full of great movies and an opportunity to meet not only other film lovers but the artists themselves away from any hint of Hollywood hype. Continue reading

Unsung Hero: Don Murray

by Tim Sika

In 1956 actor Don Murray exploded onto movie screens as Beauregard “Bo” Decker: the swaggering, handsome, gauche cowboy who romances low-rent chanteuse Marie (played by superstar Marilyn Monroe) in director Joshua Logan’s Technicolor Cinemascope film adaptation of the celebrated William Inge stage play Bus StopContinue reading

Orson Welles: M Is For Mystery

by Brian Darr

Orson Welles loved a good mystery. Some of his greatest films, from Citizen Kane  to Touch of Evil  to F For Fake , use conventions of that literary and film genre to draw his audience into their labyrinthine worlds. An intensely private man, he also frequently employed his incomparable skills as raconteur to obfuscate the truths about his own life, creating mysteries that each new biographer or reader must try to unravel if he or she wants to understand more about Welles than he intended to to reveal.  Continue reading

Brakhage x 3: Yerba Buena Center for the Arts

by Steve Polta

Stan Brakhage (1933–2003) was easily the most prolific filmmaker in the medium’s history.  With nearly 400 films created during 50 years of activity, he is recognized (especially in the field of “avant-garde” or “experimental” filmmaking) as one of the medium’s most significant and influential practitioners.  While two very impressive multi-disc DVD sets have been issued on the Criterion imprint and include over 50 works, public screenings of Brakhage’s work are few and far between.

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