Last week Pam Grady wrote about women flouting social norms in Pre-Code Hollywood. Continue reading
Tag Archives: film noir
Women flout social norms in Hollywood Before the Code
by Pam Grady
“Every train carries its cargo of sin,” says the Rev. Mr. Carmichael (Lawrence Grant) as the journey gets underway in Shanghai Express (1932), the fourth of seven collaborations between star Marlene Dietrich and director Josef von Sternberg. The cargo in this case is two ladies whose reputation precedes them — Chinese courtesan Hui Fei (Anna May Wong) and the notorious white “coaster” — a local euphemism for prostitute — known as Shanghai Lily (Marlene Dietrich). They are but two of the fallen women to be found in Elliot Lavine and I WAKE UP DREAMING’s latest festival of classics, Hollywood Before the Code, screening at San Francisco’s Castro Theatre for six consecutive Wednesdays beginning Feb. 24. Continue reading
Dash’s Crib – Where modern crime fiction was born
by Eddie Muller
[John Huston’s film version of Hammett’s The Maltese Falcon celebrates its 75th anniversary this year. Turner Classic Movies presents screenings Feb. 21 and 24 at theaters around the country. For more, click here and for the line-up of TCM Big Screen Classics. And, as is our policy, look for extras after the article-ed.]
The first time I walked into Sam Spade’s apartment I thought my head would explode. Continue reading
Catching Up with the Czar of Noir at Café du Nord
by Thomas Downs
In early January my old friends Randall Homan and Al Barna called to see if I wanted to go out for a night on the town. They have a book out, San Francisco Neon: Survivors and Lost Icons, which features their beautiful photographs of the city’s neon signs, so for them, getting out often involves supporting a business with a legacy neon sign. Continue reading
EatDrinkFilms Presents Hollywood Noir Classics
by Gary Meyer
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On Friday night, January 29, Noir City and EatDrinkFilms present two film noir classics, set behind the seamy back doors of the Hollywood studios, at San Francisco’s Castro Theatre. Continue reading
Through a lens darkly…
by Michael Fox
Good news, noir aficionados: It’s raining. During our hot streak of parched winters, it took a certain panache to attend Noir City—let alone strut around town—in a trench coat. Bogie could pull it off, Continue reading
EAT MY SHORTS: The Noir World of Serena Bramble
We recently stumbled upon a brilliant video essay.
San Francisco: Scene of the Perfect Crime
A tribute to the delicious, sinful crime films set in San Francisco. Continue reading
Eat My Shorts – The Stolen Moment- Film Noir‘s Neon Nights and Making Cocktails
“Neon enhances a cityscape, keeps a city’s spirits up in the wee small hours and in all kind of weather, casts color on drab pavements, bounces crazy reflections off dark windows, and draws the eye upward to where you might not otherwise be looking.”
—Tom Downs, from the Foreword of San Francisco Neon Continue reading
L’amour Fou: Betrayal and Suspicion in French Film Noir
Last year the Roxie scored a big hit with “The French Had a Name For It,” a first-ever all-French spinoff of longtime programmer Elliot Lavine’s popular U.S. noir retrospectives. Now Lavine and former editor of Noir City Magazine Don Malcolm are back with a second edition that is primarily the brainchild of the latter. Continue reading
Noir Nightmares: ‘I Wake Up Dreaming’ comes to the Castro
by Pam Grady
Make no mistake. Lucky Gagin (Robert Montgomery) is a chump to end all chumps in Ride the Pink Horse (1947), Continue reading
So Dark, So Elusive: “A Rare Noir is Good to Find” Spans 25 Years and the Globe at the Roxie
by Pam Grady
For noir fans walking into the Roxie Theater on Thursday, March 19, it will be as if they have merely been on an absurdly long intermission. Continue reading

