by Pam Grady The Coen family has taken over the Bay Area in the first half of 2016. First, Frances McDormand, wife of Joel Coen, played to sold out houses with her turn as Lady Macbeth in Berkeley Rep’s production of Shakespeare’s Scottish play. Now, her husband and his brother Ethan are a star attraction […]
Last week Pam Grady wrote about women flouting social norms in Pre-Code Hollywood.
by Pam Grady “Every train carries its cargo of sin,” says the Rev. Mr. Carmichael (Lawrence Grant) as the journey gets underway in Shanghai Express (1932), the fourth of seven collaborations between star Marlene Dietrich and director Josef von Sternberg. The cargo in this case is two ladies whose reputation precedes them — Chinese courtesan […]
by Roger Leatherwood Alfred Hitchcock’s Vertigo (1958) starts with a disembodied close-up of a woman’s face that moves up to her eye, while Bernard Herrmann’s score begins its moody and compulsive circular rising-and-falling motif – immediately haunting and troubled.
by Pam Grady Robert Redford thinks it’s possible that his baby, the Sundance Film Festival, has gotten too big for its small-town britches. “Suddenly, this thing was going haywire,” he told the Associated Press.
The San Francisco Symphony is offering readers of EatDrinkFilms chances to win pairs of passes to the Saturday, February 13, 8pm showing of Vertigo with the Bernard Herrmann score performed live at Davies Hall in San Francisco. Arrive at 7 p.m. to hear Kim Novak in conversation with arts journalist Steve Winn.