We have brought back some of our favorite images, videos and music from our last version of this celebration in January 2020 and added a lot of new finds and fun. You will find music, food, drinks, photos and more. From Frank Sinatra, Judy Garland and Ella Fitzgerald to Chuck Berry, Etta James, The Ramones, L’l Nas, Nina Simone, and watch The Grateful Dead’s New Year’s Eve 4+ hour concert to close Winterland following a collection of Dead NYE concert posters. There are superheroes, favorite cartoon characters, comedians including Lucille Ball, Jack Benny, Laurel & Hardy and the Three Stooges plus how to countdown to midnight with Star Wars.
Vincent Price was not only a great actor but an artist, a serious art collector with the Southern California Vincent Price Museum Art Museum, and most importantly, a fine chef. EatDrinkFilms is pleased to bring our readers a preview with some Halloween recipes.
By Gary Meyer
For over a year few of us could go to a theater and enjoy movies the way they were meant to be seen. Audiences are slowly feeling comfortable returning as theaters have made a host of improvements to protect us and to my knowledge no new cases of Covid have been tracked to a cinema.
If you love them movies I hope that you will enjoy this entire article.
By John Bengston
There was hidden interplay between movies filmed in Hollywood and in San Francisco. Buster Keaton filmed scenes adjacent to several San Francisco landmarks, but in each case before they were actually built!
Hosted by the San Francisco Silent Film Festival, I will be presenting “Silent Footsteps — From San Francisco to Hollywood” on Sunday, June 6 at 12:00 noon PDT, as part of its ongoing “Amazing Tales Online” series. The webinar is free (register HERE), but SFSFF welcomes new members and support.
By Andrea Chase
SXSW 2021 went virtual. The group experience was missing, but the films were just as compelling. There were the headliners and award-winners that grabbed a lot of attention, and rightly so. Megan Park’s narrative THE FALLOUT won the narrative feature competition for laying out the impossibility of feeling secure in a world where violence can erupt at any time and any place, while Jeremy Workman’s LILY TOPPLES THE WORLD, winner of the feature documentary award, shares the virtual community surrounding the sheer pleasure of watching the dominos so carefully set up by its subject line topple with giddy, clacking rhythm.