Devour! Chefs & Shorts: Food, Film & Wine

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By Geneva Anderson

Jetting out of Halifax is rarely simple for Devour! The Film Food Fest co-founders, Lia Rinaldo and Chef Michael Howell.  As they headed for the 25th edition of the Sonoma International Film Festival, they were schlepping 400 Sober Island Oysters and several bottles of Domaine de Grand Pré’s prized sparkling Champlain Brut.  The special cargo was for Chef Howell as he organized his own appetizer while juggling the details of numerous other participants in the eagerly-awaited SIFF | Devour! “Chefs & Shorts Culinary” Event Honoring Chef Jacques Pépin.

Michael Howell and Lia Renaldo. Photo courtesy Devour!

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Interview: Sonoma International Film Festival’s Kevin McNeely on SIFF’s 25th Edition—March 23-27, 2022

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By Geneva Anderson

Long before “festing” was a trend, Sonoma International Film Festival’s Executive Director, Kevin McNeely, and his team began holding lively soirees in a tent pitched on Sonoma Plaza.  High-level passholders, filmmakers and celebrities made a beeline to this little hub to mingle and enjoy the crème of Sonoma Valley’s wine, spirits and food.  The concept evolved and the tent became the legendary “backlot.”  With its roaring theme parties, live music, dancing, food and wine, SIFF sealed its reputation as the high-end/good time festival.

This year, SIFF celebrates its 25th anniversary March 23-28, and film programming that challenges its wonderful parties.  It all unfolds within the radius of Sonoma’s historic town square or “SONOMAWOOD.”

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THE CZAR OF NOIR MAY NOT RING TWICE BUT HE ALWAYS DELIVERS THE GOODS

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By Ben Terrall

After a two-year Corona Time hiatus, the Noir City film festival will return to the Bay Area from Thursday, March 24 to Sunday, March 27 at the Grand Lake Theatre in Oakland. This year’s lineup, themed “They Tried to Warn Us!,” features twelve mid-twentieth century Hollywood movies that address social problems which are still all too present today.

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MR. BACHMANN AND HIS CLASS

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By C.J. Hirschfield

March 14, 2022

Cinema junkies forgive iconic documentary filmmaker Frederick Wiseman for the length of some of his works that venture deep into American institutions; his most recent City Hall covering the government of Boston clocked in at four and a half hours. We absolve him because he is so good at taking us inside worlds that we don’t know, as his camera disappears and we learn so much by listening and observing, happy to have made the journey.

Comparisons to Wiseman’s work are inevitable as we describe the numerous joys of Maria Speth’s new documentary, Mr. Bachmann and his Class, the closing night film at Berlin & Beyond 2022, at the Berkeley Art Museum/Pacific Film Archive. It is now streaming on MUBI. Continue reading →

FELLINI IN MOTION

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We love Fellini and we love trailers that tease us to want to see the full features.

In March 2020 the Berkeley Art Museum/Pacific Film Archive was starting an extensive Fellini 100 series when Covid shut the Museum down.  But the Fellini Celebration is back, playing through May 14, 2022.

We are pleased to present a collection of trailers, interviews and appreciations of Federico Fellini in honor of his belated 100th birthday.

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CITY LIGHTS at the Paramount: The Little Tramp Meets the Orchestra

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February 18, 2022

By Nancy Friedman

Its running time is just 87 minutes. It has only three main characters. Its filming locations were confined mostly to downtown Los Angeles and studio soundstages. 

But in its way Charlie Chaplin’s 1931 film City Lights qualifies as an epic—and so does the story behind the San Francisco Silent Film Festival’s one-night-only presentation of this silent masterpiece, accompanied by the Oakland Symphony under the direction of Timothy Brock, at Oakland’s Paramount Theatre on Saturday, February 19. 

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THE CREATIVE HIGH

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By C.J. Hirschfield

In 2020, more people in San Francisco died of overdoses than of covid-19—an almost impossible statistic to comprehend.

So a film featuring people living in that city who are in recovery from addiction is timely and hopeful; what is unique is that all nine of them have had their lives dramatically transformed by the “alternative high” they achieve through art-making.

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Try Harder!

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By Risa Nye

For those whose memories of high school days are a bit clouded and sentimental, TRY HARDER!, Debbie Lum and Nico Opper’s documentary about students at San Francisco’s academic powerhouse, Lowell High, will be an eye-opener. Parents of toddlers who are already buying Ivy League sweatshirts in size 3T might do well to observe what happens when kids who try hard sometimes learn that they need to re-define what success means in the college admission process.

try harder!

While this film is about the students, it is also about the way support from caring teachers, parents, counselors, and peers has an enormous impact on the levels of stress these kids experience while trying to do all the things necessary to be competitive in a process with nearly impossible odds. As an example, the kids hear that Stanford’s acceptance rate is around 4%. They already know how hard it is, but some will try and beat the odds anyway.

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THE PARENT CONNECTION ACCORDING TO “SIMPLE AS WATER” DIRECTOR MEGAN MYLAN

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An Interview by Ashia Solei

SIMPLE AS WATER is an exquisitely shot and urgent film that looks at war and displacement through the lens of parenthood. The San Francisco International Film Festival’s “Doc Stories” noted “The modern world has become all too familiar with images of refugees fleeing their homes, desensitized to the onslaught of harrowing images and heartbreaking stories. Academy Award® winner Megan Mylan (LOST BOYS OF SUDAN, SMILE PINKI) trains her lens on the everyday acts of courage and determination that drive her protagonists, featuring families in Turkey, Greece, the US, and Syria. From a soft-spoken Uber driver who sacrifices everything for his teenage brother to far-flung parents urged on by parental love, this timeless film explores ties that bind and the dreams that empower humans to overcome the unthinkable.”

We invite you to discover from Mylan’s film and this interview what happens after these displaced individuals find sanctuary and slip from the headlines?

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“THE FRENCH HAD A NAME FOR IT 2021” Salutes Robert Hossein

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By Pam Grady

The Stockholm Syndrome was not yet recognized in 1970, but Robert Hossein’s Falling Point (Point de chute) provides a thrilling depiction of the complex. Screening as part of Donald Malcolm’s MidCentury Productions’ “The French Had a Name For It,” his ongoing survey of French noir taking place at the Roxie, Nov. 12-14, this intimate drama stars pop star Johnny Hallyday at the height of his beauty as Vlad, a kidnapper holding teenage Catherine (Pascale Rivault) hostage at an isolated seaside cabin. While his confederates (Hossein and Albert Minski) are away dealing with the ransom, Catherine’s escape attempts perversely draw her closer to her abductor.

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