A House Made of Splinters

By C.J. Hirschfield

(March 8, 2023)

Some feature length documentaries transport you across the world, into space, or under the ocean, exploring fantastic and fascinating environments that you never could have imagined.

The Academy-Award nominee A House Made of Splinters takes place under just one roof, and the drama is no less compelling for it. Inside the walls of an Eastern Ukraine temporary shelter for children, there is compassion, friendship, love, and joy, mixed with fear, pain, and lost childhood.

 

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I Didn’t See You There

By C.J. Hirschfield

(Updated January 9, 2023)

A monument to circus showman P.T. Barnum stands in Reid Davenport’s hometown of Bethel, Connecticut. “He got a pedestal,” says the director of I DIDN’T SEE YOU THERE, the new documentary that premiered at the 65th SFFILM Festival, while the disabled filmmaker’s perspective is from the sidewalk. The film, a meditative and personal feature that invites the viewer to see the world through his eyes—and at his level– often refers to the corrosive legacy of Barnum’s freak shows and how society relates to those who are different.

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You’re In The Gone, Gone Picture and Beyond

By Gary Meyer

May 26, 2022 (updated May 29)

Most of us see in 3D. We can look around, above, and below. We take it for granted and it is generally not a thrill ride.

But offer us a pair of 3D glasses, a VR rig or some kind of created immersive environment to take us to places we have not been, other worlds or to be in the middle of action scenes and many of us are willing to pay a premium for the enhanced experience—at least once. And then the novelty wears off and we go back to traditional ways of viewing.

Vicki Bennett looks at us

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This Ocean Film Festival Does More Than See the Sea

By Nancy Friedman

April 1, 2022

Here’s what you can expect at any film festival: new films, fun swag, revealing Q&A sessions with filmmakers, stimulating conversations in the lobby or in the line for the restrooms. At the International Ocean Film Festival—North America’s oldest and largest ocean film festival–you can expect all that and something more: a call to action.

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Devour! Chefs & Shorts: Food, Film & Wine

By Geneva Anderson

Jetting out of Halifax is rarely simple for Devour! The Film Food Fest co-founders, Lia Rinaldo and Chef Michael Howell.  As they headed for the 25th edition of the Sonoma International Film Festival, they were schlepping 400 Sober Island Oysters and several bottles of Domaine de Grand Pré’s prized sparkling Champlain Brut.  The special cargo was for Chef Howell as he organized his own appetizer while juggling the details of numerous other participants in the eagerly-awaited SIFF | Devour! “Chefs & Shorts Culinary” Event Honoring Chef Jacques Pépin.

Michael Howell and Lia Renaldo. Photo courtesy Devour!

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Interview: Sonoma International Film Festival’s Kevin McNeely on SIFF’s 25th Edition—March 23-27, 2022

By Geneva Anderson

Long before “festing” was a trend, Sonoma International Film Festival’s Executive Director, Kevin McNeely, and his team began holding lively soirees in a tent pitched on Sonoma Plaza.  High-level passholders, filmmakers and celebrities made a beeline to this little hub to mingle and enjoy the crème of Sonoma Valley’s wine, spirits and food.  The concept evolved and the tent became the legendary “backlot.”  With its roaring theme parties, live music, dancing, food and wine, SIFF sealed its reputation as the high-end/good time festival.

This year, SIFF celebrates its 25th anniversary March 23-28, and film programming that challenges its wonderful parties.  It all unfolds within the radius of Sonoma’s historic town square or “SONOMAWOOD.”

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CITY LIGHTS at the Paramount: The Little Tramp Meets the Orchestra

February 18, 2022

By Nancy Friedman

Its running time is just 87 minutes. It has only three main characters. Its filming locations were confined mostly to downtown Los Angeles and studio soundstages. 

But in its way Charlie Chaplin’s 1931 film City Lights qualifies as an epic—and so does the story behind the San Francisco Silent Film Festival’s one-night-only presentation of this silent masterpiece, accompanied by the Oakland Symphony under the direction of Timothy Brock, at Oakland’s Paramount Theatre on Saturday, February 19. 

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UNDERSTANDING WHAT HAPPENED AT ATTICA

Ashia Solei Interviews Stanley Nelson

Co-Directors Stanley Nelson and Traci Curry brilliantly reshape race narrative in ATTICA by giving voice to the unheard minorities and disrupting the dominant historical narrative. It is a strategy that Nelson has used in his many films including THE MURDER OF EMMETT TILL, JONESTOWN: THE LIFE AND DEATH OF PEOPLE’S TEMPLE and MILES DAVIS: BIRTH OF THE COOL.

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THE PARENT CONNECTION ACCORDING TO “SIMPLE AS WATER” DIRECTOR MEGAN MYLAN

An Interview by Ashia Solei

SIMPLE AS WATER is an exquisitely shot and urgent film that looks at war and displacement through the lens of parenthood. The San Francisco International Film Festival’s “Doc Stories” noted “The modern world has become all too familiar with images of refugees fleeing their homes, desensitized to the onslaught of harrowing images and heartbreaking stories. Academy Award® winner Megan Mylan (LOST BOYS OF SUDAN, SMILE PINKI) trains her lens on the everyday acts of courage and determination that drive her protagonists, featuring families in Turkey, Greece, the US, and Syria. From a soft-spoken Uber driver who sacrifices everything for his teenage brother to far-flung parents urged on by parental love, this timeless film explores ties that bind and the dreams that empower humans to overcome the unthinkable.”

We invite you to discover from Mylan’s film and this interview what happens after these displaced individuals find sanctuary and slip from the headlines?

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Two Virtual Sessions to Watch Now–About Food and Film

Two fascinating video sessions occurred in November, 2021. We have obtained these recording for your viewing pleasure. 

 

 

 

 

 

 

 

 

 

 

 

Gregory Bezat, San Francisco producer/director of a film in production, M.F.K. Fisher:The Art of Eating, was on a terrific panel on Food Luminary Documentaries such as Julia Child and James Beard.

Allen Michaan told tales of saving and operating the Grand Lake Theatre movie palace in Oakland in a wide-ranging conversation about the joys of saving a place that has meant so much for nearly a of century of moviegoers..  

Both can be watched below.

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