My Wonderful Evening with Marc Davis, One of Walt Disney’s Nine Old Men (Part 1 of 2)

by Karl Cohen

When I was invited to the press preview of “Leading Ladies and Femmes Fatales: The Art of Marc Davis,” at the Walt Disney Family Museum, I wasn’t expecting to be swept up by a remarkable, immersive celebration of the man’s life.  Davis died January 12, 2000, but the art in this comprehensive exhibition still inspires, presenting his joyful personality through animation drawings, well chosen quotes, and an informative video interview. Continue reading

Seducing Repertory Cinema into the 21st Century: I Wake Up Dreaming 2014–Dark Treasures from the Warner Archives

by Elliot Lavine

The idea of programming film noir festivals for a century-old San Francisco art theater sounds like a dream of a gigbag and for 99% of the ride it is. But it’s a little bit like being turned loose in a funhouse with no exit because ultimately it can lead to bouts of insomnia and chronic fits of frustration. It can lead to indigestion and other forms of irritability. But in the end it can also remind you that patience and stamina, although usually in short supply, will win the day.  Continue reading

Food Revolution SF Events: May 16-18, 2014

“How can most people submit so unthinkingly to the dehumanizing experience of lifeless fast food that’s everywhere in our lives?  How can you marvel at the world and then feed yourself in a completely un-marvelous way?  I think it’s because we don’t learn the vital relationship of food to agriculture and to culture, and how food affects the quality of our everyday lives.” —Alice Waters  Continue reading

Festival Recap: The 57th San Francisco International Film Festival

by Tien-Tien L. Jong

With 168 total films, spanning 56 countries (and 40 languages), the 57th edition of the San Francisco International Film Festival (April 24-May 8, 2014) was a truly “international” and diverse event. Here is a mini summary of my experience at the festival, with a list of my personal top five favorite new films that I discovered, and which I recommend keeping an eye out for at the multiplex, arthouse, or digital screening platform of your choice.  Continue reading