Tracking America’s Racial Karma on the Silent Screen

By Louise Dunlap

My first reaction is “No way I’m going to review a film with the name “R——.“ I’ve spent too long telling relatives in the nation’s capital how their team’s name evokes bloody skins of the First People of our continent hunted for bounty. Even though this film acknowledges the R-word as a slur, even though today’s reviewers think it progressive for its time, I’m reluctant. Our history is one white person’s version of Indians after another—with Hollywood in the lead. I don’t want to join the thread.

But then I look at the specs.

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