“Noir City-Face the Music” is in full swing at the Grand Lake Theatre in Oakland as the launch of its eight city tour.
Eddie Muller—host of TCM’s Noir Alley, one of the world’s leading authorities on film noir, and cocktail connoisseur—takes film buffs and drinks enthusiasts alike on a spirited tour through the “dark city” of film noir in this stylish book packed with equal parts great cocktail recipes and noir lore. Continue reading
Curated by Gary Meyer
Noir City returns to the Grand Lake Theatre in Oakland, CA from January 15 through January 25, 2026 with a grand line-up of film sharing a musical theme. We bring you a gallery of posters, stills, and trailers from the festival for the first half of the Festival.
Anticipating This Year’s Music-Themed Fest With Delight
by Meredith Brody. (January 13,2026)
I love Eddie Muller’s Noir City film festivals; I don’t think I’ve missed a one since his first edition in Los Angeles at the American Cinematheque in 1999, four years before SF’s first Noir City.
I start out perusing the list of 24 films (paired in a dozen double bills) in my usual somewhat-blinkered and mildly narcissistic fashion: which ones are new to me? Since I’ve been seeking out film noir since before I went to college, and my first post-college publication in book form was in Alain Silver and Elizabeth Ward’s first “Encyclopedia of Film Noir” back in 1979, it’s not totally a surprise that there are only two that qualify: the British Face the Music aka The Deadly Glove (1954), and The Crimson Canary (1945), neither of which I’ve even heard of.
(January 18, 2024)
A year ago, in advance of the release of Eddie Muller’s new book of Film Noir inspired cocktails, we published a sneak preview of two recipes.
As Noir City 21 plays January 19-28 at the Grand Lake Theatre in Oakland, California —and is coming to cities across the country, EatDrinkFilms is pleased to offer a few more goodies to quench your thirst for a great movie and an inspired drink.
Welcome 2023!
We have brought back some of our favorite images, videos and music from our last version of this celebration and added new finds and fun. You will find music, food, drinks, photos and more. From Frank Sinatra, Judy Garland and Ella Fitzgerald to Chuck Berry, Etta James, The Ramones, L’l Nas, Nina Simone, and watch The Grateful Dead’s New Year’s Eve 4+ hour concert to close Winterland following a collection of Dead NYE concert posters. There are superheroes, favorite cartoon characters, movie stars from the silent era onwards, comedians including Lucille Ball, Jack Benny, Laurel & Hardy and the Three Stooges plus how to countdown to midnight with Star Wars.
A Re-VIEW
by Maria Elena Gutierrez
In the animated musical adventure Vivo a music-loving kinkajou called Vivo (Lin-Manuel Miranda) sets out to deliver a song written by his friend Andrés (Juan de Marcos González) to his long-lost love Marta (Gloria Estefan). Along the way, Vivo befriends an energetic young girl called Gabi (Ynairaly Simo) who helps him in his quest.
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By C.J. Hirschfield
(Editor’s note: On August 20, 2021 Michael Morgan unexpectedly passed away at age 63 from an infection. In the weeks prior to being admitted to the hospital he had conducted at the San Francisco Symphony and Bear Valley Music Festival. The Oakland Symphony paid tribute to him.)
In April, 2021, ten documentary short subject films were short-listed for this year’s Oscars. At their best, documentary shorts tell a compelling story that, while lacking in length (they must be under 40 minutes) still manage to grab and hold us, leaving us richer for the experience.
By Andrea Chase
In conversation after a watch party for A CONCERTO IS A CONVERSATION, co-subject and co-director (with Ben Proudfoot) Kris Bowers said that part of the reason he wanted to make the film because the Emmy™-winning composer thought his grandfather, Horace Bowers, Sr., was a hero. A hero who should be celebrated. He also wanted to have an in-depth conversation with him while the 91-year-old was still with us. The result is a tender and intimate portrait of strength, joy, and how family shapes us.
By Kim Nalley
A 1938 portrait, when she appeared at Cafe Society in NYC with a swatch of gardenias in hair hairstyle, which from then on became her trademark. (Photo by George Rinhart)
Billie Holiday. Her name is eponymous with the phrase “jazz singer.” There is no jazz figure so well-known, yet shrouded in mystery, as Lady Day. Many important details of her life and her musical genius have been overshadowed by a lurid interest in her love life and drug use. Recently some articles based on faulty interviews emphasize her persecution in Hoover’s war on drugs without realizing this was a fact of life for all African American jazz musicians. I do not see the same attention given to Miles Davis’s or Charlie Parker’s drug use or their abusive relationships. Davis’s and Parker’s “women” are not given a megaphone to comment on them, and I never have seen their musical genius attributed to drug use. I sometimes see the hardships of being a Black man highlighted but I do not see the same courtesy given to Miss Holiday.
By Dick Fregulia
When asked to review the new Billie Holiday documentary “Billie, ” my first concern was whether it would play as a Hollywood melodrama or as a true musical testimony to the jazz vocalist legend. My preference was for the latter, but the film actually achieves an impressive balance between the gritty details of her life and the beauty of her singing.
A collection of Billie Holiday photos, posters, album covers, and videos plus a selection of Kim Nalley performances of Billie’s songs.
Billie’s first album (1947) was preceded by 39 singles starting with “Riffin’ the Scotch” in 1934.
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