24 minutes with “Berlin & Beyond’s” Sophoan Sorn

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An interview by Geneva Anderson.     (March 16, 2026)

Sophoan Sorn. Festival director of Berlin & Beyond at the Castro Theater which screens three German dramas on March 19.   Image: Sophoan Sorn

The Berlin & Beyond film festival (B&B) (March 19-23) will celebrate its 30th anniversary in style, with Opening Night at revamped Castro Theater on March 19.  The evening unfolds with Ido Fluk’s drama, “Köln 75,” the exhilarating back story to Keith Jarrett’s famously improvised 1975 piano concert, along with a special Opening Ceremony and tribute to actor Mala Emde, who stars in the film. Continue reading →

Try This Ida Lupino Noir Bar Cocktail

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“Noir City-Face the Music” is in full swing at the Grand Lake Theatre in Oakland as the launch of its eight city tour.

Eddie Muller—host of TCM’s Noir Alley, one of the world’s leading authorities on film noir, and cocktail connoisseur—takes film buffs and drinks enthusiasts alike on a spirited tour through the “dark city” of film noir in this stylish book packed with equal parts great cocktail recipes and noir lore. Continue reading →

Noir City 23 to The Rescue!

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Anticipating This Year’s Music-Themed Fest With Delight

by Meredith Brody.  (January 13,2026)

I love Eddie Muller’s Noir City film festivals; I don’t think I’ve missed a one since his first edition in Los Angeles at the American Cinematheque in 1999, four years before SF’s first Noir City.

I start out perusing the list of 24 films (paired in a dozen double bills) in my usual somewhat-blinkered and mildly narcissistic fashion: which ones are new to me? Since I’ve been seeking out film noir since before I went to college, and my first post-college publication in book form was in Alain Silver and Elizabeth Ward’s first “Encyclopedia of Film Noir” back in 1979, it’s not totally a surprise that there are only two that qualify: the British Face the Music aka The Deadly Glove (1954), and The Crimson Canary (1945), neither of which I’ve even heard of.

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Silents Please! and Listen

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The 2025 Iteration of SF’s Famed Silent Film Festival Unspools in an Art Deco Gem in Orinda

by Meredith Brody  (November 10, 2025)

I bow to no one in my appreciation, nay, adulation, of the San Francisco Silent Film Festival (aka SFSFF).  It’s not only one of the jewels in the crown of local film festivals, but now has achieved international acclaim, drawing attendees not only from the US but the world. Continue reading →

‘Reflections’ of Diana Ross: Through the Mirror of My Mind

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By Noma Faingold  (August 13, 2025)

Diane Ross will be appearing at San Francisco’s Stern Grove on Sunday, August 17, 2025 in a free afternoon concert. While sold out, 1000 tickets will be given away Friday at 5pm. See bottom of this article for details.

The family hi-fi set-up, anchored by two giant hidden speakers, was located in the dining room. We never ate there unless we had company. No one who came to the house knew where the speakers were because the beige tweed fabric covering them matched the adjacent drapes.

The first Diana Ross album I bought was simply titled, “Diana Ross.” The 1970 release was her debut solo record. I was in second grade and my musical taste was already firmly established. I gravitated to the slick soul of Motown – artists like The Jackson 5, The Temptations, Stevie Wonder and especially Ross, as opposed to popular hardcore rock bands of the time, Black Sabbath, Deep Purple and Led Zeppelin.

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Music Hath Charms

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San Francisco’s A Day of Silents Features a Stellar Lineup of Musicians and Films on Sunday, February 2, 2025.

by Meredith Brody.                                                         (January 28,2025)

The Mont Alto Motion Picture Orchestra. Photo by Pamela Gentile.

You’ve all heard that silent movies really weren’t SILENT: they all had live musical accompaniment, ranging from a solitary guy at an upright piano or a mighty Wurlitzer to up-to-110-member symphonic orchestras. When Carmine Coppola was about to go on tour in 1981 to conduct his new score for his son Francis Ford Coppola’s restoration of Abel Gance’s 1927 Napoleon, he reminisced about the silent movie palaces of his youth: “”When I was really young,” Mr. Coppola recalled, ”I would go to Broadway to see a movie. I remember  The Thief of Bagdad, with Douglas Fairbanks; he always insisted on an original score. Those theaters – the Strand, the Rialto, the Rivoli, the Capitol – had 40-or 50-piece orchestras. It was so beautiful. I saw the Big Parade that way and What Price Glory and The Three Musketeers. ”

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SONGWRITER DIANE WARREN IS RELENTLESS

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An interview with Film Director Bess Kargman

By Noma Faingold

(July 18, 2024)

Director Bess Kargman knew going in that prolific songwriter Diane Warren, the subject of her latest documentary, doesn’t fully trust anybody. “It’s not in her nature,” Kargman said. “The biggest challenge was earning her trust. I had to navigate when to push her. She would get really anxious sitting in a chair too long and being away from her work.”

Diane Warren: Relentless screens on August 3, at 3:30 p.m., at the Piedmont Theatre, (4186 Piedmont Ave., Oakland) during the 44th Annual San Francisco Jewish Film Festival, July 18-August 4. Complete Festival Information and tickets.

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