More Loudly Anticipating the San Francisco Silent Film Festival

Part Two- What I Will Be Seeing

By Meredith Brody

May 4, 2022

I learned my lesson early with the San Francisco Silent Film Festival: GO TO EVERYTHING.

The first year I attended, I cherry-picked only the movies I hadn’t seen before.  The ones I went to were such a revelation – both in the presentation and the group experience – that my heart hurt as I walked away.  What a MAROON I was. Even a movie I thought I knew well would be a fresh experience, featuring as it did not only live music, but one of the world’s great audiences. There’s a kind of euphoria that sets in when you commit to seeing everything on offer. Continue reading

MAMA BEARS RISING

By C.J. Hirschfield

March 30, 2022

Last month, Texas Governor Greg Abbott issued a letter calling on professionals, including teachers and doctors, to report parents who give their trans children gender-affirming care. And even though the ACLU says it’s not legally binding, it is just another in a long line of assaults on trans and LGBTQ rights in that state.

But look out, Abbott. Texas trans kindergartner Kai and her mom—actually, lots of moms like her—are uniting and fighting for the rights of their LGBTQ kids. And guess what? They’re all devout and conservative Christians whose Mama Bears network of private Facebook groups exist in every state, numbering over 30,000 members at last count. Continue reading

FLEE Brings Secrets to Animated Life

By C.J. Hirschfield

More and more often, documentary filmmakers are turning to animation to tell stories—or parts of stories—that can’t be represented in any other way. In the case of the compelling new film FLEE, the storyteller spent much of his life since childhood in the shadows as an illegal Afghan refugee, and even now does not feel comfortable sharing his last name, or his face. It’s understood that traditional documentaries involve some degree of manipulation, and animated nonfiction films provide even more leeway to let imaginations take flight.

February 2022 Movies | Moviefone

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CUNNINGHAM: A DIVINE DANCE

By C.J. Hirschfield

In 1964, renowned and prolific choreographer Merce Cunningham and his troupe embarked on their first world tour. In Paris, angry audience members threw eggs and tomatoes at him. “I wished it was apples; I was hungry,” he recalls. But when they performed in England, the response was dramatically different: “Merce Cunningham Conquers Conservatism,” read the headlines. And although Cunningham famously refused to define his work as modern or avant garde (preferring to let his audience define him based on their experience), he, and his partnerships with celebrated artists of the day, was in the center of an influential group changing the way we characterize music, visual art—and dance.

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The original Merce Cunningham Dance Company.                                                                            ©Robert Rutledge. Photo courtesy of Magnolia Pictures

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A TOUR OF THE HEART

by C.J. Hirschfield

The first public performance of San Francisco’s renowned Gay Men’s Chorus took place in 1978 at an impromptu memorial at City Hall for pioneer gay rights advocate and city supervisor Harvey Milk and mayor George Moscone, who had been assassinated earlier that same day. It’s worth noting that they performed a religious song: “Thou, Lord, Hast Been our Refuge.” The tens of thousands of mourners had marched to City Hall from Castro Street.

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Since that time, the world’s first gay chorus has performed all over the world.

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