FAUCI: PLAGUE POLITICS

 

By C.J. Hirschfield

Cher. Elvis. Plato. Beyonce. Their fame is such that only one name is needed for recognition.

And now– Fauci, perhaps one of the most unlikely cultural icons ever. A new documentary puts this remarkable public servant within the context of history, in which, as he describes it, “the two most devastating pandemics in the last 100 years are the bookends of my life and career.”

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Lessons Learned

By C.J. Hirschfield

This meme regarding the controversial teaching of critical race theory in schools showed up in my Facebook feed this week: “If black and brown children are old enough to experience racism, white children are old enough to learn about it.”

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Fruits of Labor

By C.J. Hirschfield

On the day of this writing, 13,464 trays of strawberries were harvested in California, the state that produces 83 percent of the strawberries grown in the U.S. Who picks them? Kids as young as 12.

 

Poster by Maribel Martinez and Yen Tan

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DIANA KENNEDY: NOTHING FANCY—INDEED

By Patricia Unterman

To tell you the truth, my dear film buffs, I’m a reader, not a moviegoer, and I only read fiction.  If I watch a movie, it has to be in a movie house on a big screen and it has to promise a good story, ideally involving sex.   Documentaries, for me, are a bore.

tasting tacos

But despite all odds, I was mesmerized by a new documentary on the life of Diana Kennedy, the grouchy, 97-year-old writer of regional Mexican cookbooks, by first-time movie director Elizabeth Carroll.  The film felt novelistic to me—nuanced, revealing, true.  It picked me right up from a desk chair in front of my little computer screen and dropped me in the upland forests of Michoacán. Continue reading

SXSW Wraps Virtual Festival

By Andrea Chase

SXSW 2021 went virtual. The group experience was missing, but the films were just as compelling. There were the headliners and award-winners that grabbed a lot of attention, and rightly so. Megan Park’s narrative THE FALLOUT won the narrative feature competition for laying out the impossibility of feeling secure in a world where violence can erupt at any time and any place, while Jeremy Workman’s LILY TOPPLES THE WORLD, winner of the feature documentary award, shares the virtual community surrounding the sheer pleasure of watching the dominos so carefully set up by its subject line topple with giddy, clacking rhythm.

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Shorts are BIG this year… All the 2021 Oscar™ Nominated Shorts Reviewed

Just as reading a great short story can have an impact in a relatively few pages, short films also can entertain, inform and challenge us with limited running times. Most of our favorite filmmakers started their careers making short subjects. Which of this year’s Oscar™ nominated creators will be the makers of the next breakout independent film on their way to a studio blockbuster? You can watch and place your bets. And remember that this year the public has seen all nominated movies the same way most Academy members have been watching them for years—at home. 

 

The 2021 Academy Awards are on Sunday, April 25. The nominated short films have been collected into three programs, Animation, Live Action and Documentary, and are now playing in select theaters and on Virtual Cinema. Trailers and more information can found here

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Designing a Life

By C.J. Hirschfield

A couple of decades ago, I took a half-day off work to visit the first-ever tour of an historic 1909 Arts & Crafts house that featured its original furniture–many pieces by the man considered the father of the American Arts & Crafts movement, Gustav Stickley. Touring the glorious house in the required surgical booties, I was in heaven.

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A CONCERTO IS A CONVERSATION

By Andrea Chase

In conversation after a watch party for A CONCERTO IS A CONVERSATION, co-subject and co-director (with Ben Proudfoot) Kris Bowers said that part of the reason he wanted to make the film because the Emmy™-winning composer thought his grandfather, Horace Bowers, Sr., was a hero. A hero who should be celebrated. He also wanted to have an in-depth conversation with him while the 91-year-old was still with us. The result is a tender and intimate portrait of strength, joy, and how family shapes us.

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Bedlam: The Shame Is On Us.

By C.J. Hirschfield

California has spent $13 billion in the last three years to tackle a massive homelessness problem made worse by the pandemic, yet its approach is fragmented and incomplete, the state auditor said in a report released this month. Homeless people suffering from mental illness– who make up over 40 percent of the people on the streets in Los Angeles alone– were not mentioned at all in the report’s summary.

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