Silents, Please!

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Anticipating the SFSFF’s Day of Silents Makes My Endorphins Rise

by Meredith Brody

(December 1, 2022)

William Haines and Marion Davies in SHOW PEOPLE

I keep my TV tuned (do we say tuned, nowadays?) to TCM. It’s what greets me when I snap on the TV (do we say snap on, nowadays), and has resulted in me being surprised that The Apartment or The Women or Wild River or Touch of Evil is playing. I pause to watch “for JUST a few minutes,” and end up trapped, mesmerized by The Whole Thing. Continue reading →

A Few Nickels in the Slot Buys You Lunch at the Automat

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(Editor’s note: THE AUTOMAT will show twice on Turner Classic Movies, Tuesday, November 22. There will also be for classics with automat scenes.)

By Gaetano Kazuo Maida

(Updated November 21, 2022; originally published April 2022)

A film that starts off with the instantly recognizable dulcet tones of Mel Brooks gushing, “one of the greatest inventions, insane centers of paradise…” is irresistible even if you’ve never heard of the Automat. For those of us of a certain age from New York or Philadelphia (and yes, I’m one: born and raised in New York, with family in Philly), the Horn & Hardart Automat was a unifying experience of childhood delight and teenage necessity. You didn’t need a lot of money to eat, just a handful of nickels… In its heyday (1920s to the 1970s) it was, in just two cities, the largest restaurant chain in the country by any measure, at one point in the 1940s serving fully 10% of the population of Philadelphia. Continue reading →

ANIMATION EXPLORES NEW DIMENSIONS IN 2022

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By Robert Bloomberg

In 1928, inspired by the talkie that changed the world, “The Jazz Singer,” Walt Disney and Ub Iwerks created “Steamboat Willie,” the first cartoon with fully synchronized music and sound effects, demonstrating the potential power and delight of animation. 

The ten films in this year’s Animation Show of Shows perfectly illustrate the culmination of that potential. Most of the shorts, curated and presented by Acme Filmworks founder Ron Diamond, require no subtitles and rely solely on that marriage of image and sound.

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GROWING UP IN LOVE WITH THE MOVIES

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By Meredith Brody

(November 5, 2022)

I’ve been a film buff ever since I first saw a re-issue of Cinderella at the Grand Lake Theater in Oakland when I was just a tot.

I wasn’t able to fully exercise my film buff inclinations for the next decade or so, as I was dependent on my parents for transportation. They made the movie choices, as well. Oddly, since they were both New Yorkers and went to movies weekly or more often as children, there was a joke amongst my siblings and I: “They take us to two movies a year, whether we need them or not.”

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Know Any Cat Daddies?

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By Marilyn Freund

(October 28, 2022)

Cat Daddies is a deceptive film, and therein lies its emotional punch. On the surface, director Mye Hoang’s documentary debut presents episodes from the lives of nine men whose lives have been changed by their relationships with cats. But underneath, it takes a look at what behavior our culture has traditionally considered to be “manly,” and how those stereotypes might be redefined today.

Truck driver David Durst visits Sedona, AZ with his cat Tora. Image by Mye Hoang.

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SIGN THE SHOW: A Benefit, Not a Burden

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By C.J. Hirschfield

October 22, 2022

I can’t imagine being denied access to movies, plays, comedy shows, or concerts; you probably can’t either. And yet that’s how it is for 40+ million Deaf and Hard of Hearing (HOH) Americans, whose attempts to get venues and artists to understand their need for consistent, high-quality professional and well-lit sign language interpreters are met with barrier after barrier.

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SANTOS: Skin to Skin

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By Gaetano Kazuo Maida

October 16, 2022

“The drum is like a heartbeat.” —John Santos

I grew up in the Bronx in the ‘50s. This was in an old Italian neighborhood, full of grape arbors and fig trees (even a goat!), but by the time I was eight our neighbors on one side and across the street were from Puerto Rico, and on the other side were African Americans; it’s mostly Caribbean now. My public school was a ten block walk from home and most of my classmates there were Jewish. My parents were a mixed couple (Japanese/Sicilian) and most of their friends were mixed in one way or another as well, so I had a strong sense of a wonderfully polyglot community that ill-prepared me for the rather homogeneous and affluent population of my elite public high school. But it did open my ears to a wide variety of music. The soundtrack at home was folk, blues, soul (long story), flamenco, and opera, but in the streets it was doo-wop and Afro-Caribbean.

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TOWN DESTROYER: When Art Offends

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By C.J. Hirschfield

October 8, 2022

For a documentary to even-handedly and adroitly cover a complex, painful and controversial subject in just 52 minutes requires not only talent, but a clarity of vision, and cinematic compassion.

Award-winning Bay Area filmmakers Alan Snitow and Deborah Kaufman have accomplished just that in their timely Town Destroyer, with its world premiere at the Mill Valley Film Festival Saturday, October 8. Continue reading →

FINALLY FEELING FESTIVE – Looking Forward to the 2022 Mill Valley Film Festival, October 6 through 16

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By Meredith Brody

October 6, 2022

In the past I have written, once or twice, thinking it was something of a joke, that if you wanted to see a movie beautifully projected on huge big screens with a full attentive audience who were all watching the BIG screen instead of their little screens, you had to go to a film festival.

Sir Ian McKellen’s 2015 Tribute; Photo by Drew Altizer Photography

And now, after nearly three years of not going to movies, whether in theaters or at festivals, and becoming increasingly used to – but not happy about — seeing movies via streaming services at home, I find that my little joke rings increasingly true.

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