A TOUR OF THE HEART

by C.J. Hirschfield

The first public performance of San Francisco’s renowned Gay Men’s Chorus took place in 1978 at an impromptu memorial at City Hall for pioneer gay rights advocate and city supervisor Harvey Milk and mayor George Moscone, who had been assassinated earlier that same day. It’s worth noting that they performed a religious song: “Thou, Lord, Hast Been our Refuge.” The tens of thousands of mourners had marched to City Hall from Castro Street.

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Since that time, the world’s first gay chorus has performed all over the world.

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OY, HAVE I GOT A FILM FOR YOU A Preview of the 39th San Francisco Jewish Film Festival, 2019

By Gary Meyer

One of the challenges for any film festival is finding the perfect opening night movie.

A curator wants a terrific movie first but also it must be a crowd pleaser— Not too experimental or heavily political. You don’t want to alienate the opening night audience who may not be as adventurous as those attending many other movies during the event. They need to leave the theater in a good mood and hopefully want to return for more shows. But you want it to be a movie that also means something to people and leaves them thinking as well as entertained.

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Opening Night photo by Pat Mazzera

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THRILLS AND ROMANCE AT “THE SIGNAL TOWER”

By Warren Haack

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At first glance this Classic of Silent Cinema would seem to appear as a nostalgic step back into the 1920s, when the Railroads of America dominated many people’s lives. However as the story unfolds, it is imbued with the classic icons of Silent Cinema including jealous lovers, family values and harrowing train wrecks, and is both entertaining and well written. Beautifully photographed on location along the Noyo River in the redwood forests of Northern California with excellent acting, this long lost treasure of Silent Cinema was carefully restored by the San Francisco Silent Film Festival’s Robert Byrne in collaboration with Kevin Brownlow and Patrick Stanbury of Photoplay Productions. It bears repeated viewing.

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Feast on Gold; he’s the real thing

goldfolderart6by Patricia Unterman

[Read Gaetano Kazuo Maida’s review here.]

There aren’t very many of us who actually have worked as food critics for print publications. I did it for 15 years at the San Francisco Chronicle and for about 15 more at the San Francisco Examiner. Way back when I started, no editorial wall stood between advertising and criticism, at least when it came to restaurants. If a restaurant advertised, it got written up.

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