One of the challenges for any film festival is finding the perfect opening night movie.
A curator wants a terrific movie first but also it must be a crowd pleaser— Not too experimental or heavily political. You don’t want to alienate the opening night audience who may not be as adventurous as those attending many other movies during the event. They need to leave the theater in a good mood and hopefully want to return for more shows. But you want it to be a movie that also means something to people and leaves them thinking as well as entertained.
At first glance this Classic of Silent Cinema would seem to appear as a nostalgic step back into the 1920s, when the Railroads of America dominated many people’s lives. However as the story unfolds, it is imbued with the classic icons of Silent Cinema including jealous lovers, family values and harrowing train wrecks, and is both entertaining and well written. Beautifully photographed on location along the Noyo River in the redwood forests of Northern California with excellent acting, this long lost treasure of Silent Cinema was carefully restored by the San Francisco Silent Film Festival’s Robert Byrne in collaboration with Kevin Brownlow and Patrick Stanbury of Photoplay Productions. It bears repeated viewing.
Do you find ramen irresistible? Love Singapore hawker halls? Can’t get enough of Anthony Bourdain or Chef’s Table? Reread Proust with delight? Ramen Shop has you covered! Here is the taste of food as memory, family, connection, identity… and love.
There aren’t very many of us who actually have worked as food critics for print publications. I did it for 15 years at the San Francisco Chronicle and for about 15 more at the San Francisco Examiner. Way back when I started, no editorial wall stood between advertising and criticism, at least when it came to restaurants. If a restaurant advertised, it got written up.
Beautifully shot in black and white – a rarity these days – Ciro Guerro’s Embrace of the Serpent is Columbia’s nominee for Best Foreign Language Film, and deservedly so. An “elegy for lost cultures and an indictment of exploitation,” this saga of human endurance in the wilderness – also the theme of fellow Oscar nominee The Revenant – plays like “a rainforest fever dream.” Critics Daniel Barnes and Dennis Harvey present their takes on this vivid physical adventure, which opens across North America in February and March.