They Were Calling It the Twentieth Century

 

An excerpt from Dana Stevens’ “CAMERA MAN”

(Greatly updated December 3, 2022)

In this genre-defying work of cultural history, the chief film critic of Slate places comedy legend and acclaimed filmmaker Buster Keaton’s unique creative genius in the context of his time.

Buster Keaton will be celebrated at the Berkeley Art Museum/Pacific Film Archive during the month of December, 2022. Starting Sunday, December 4 with SHERLOCK JR. and two shorts and continuing through Wednesday, December 21, five features and 15 shorts will be screened with musical accompaniment. Author Dana Stevens will introduce several programs. Continue reading

More Loudly Anticipating the San Francisco Silent Film Festival

Part Two- What I Will Be Seeing

By Meredith Brody

May 4, 2022

I learned my lesson early with the San Francisco Silent Film Festival: GO TO EVERYTHING.

The first year I attended, I cherry-picked only the movies I hadn’t seen before.  The ones I went to were such a revelation – both in the presentation and the group experience – that my heart hurt as I walked away.  What a MAROON I was. Even a movie I thought I knew well would be a fresh experience, featuring as it did not only live music, but one of the world’s great audiences. There’s a kind of euphoria that sets in when you commit to seeing everything on offer. Continue reading

CITY LIGHTS at the Paramount: The Little Tramp Meets the Orchestra

February 18, 2022

By Nancy Friedman

Its running time is just 87 minutes. It has only three main characters. Its filming locations were confined mostly to downtown Los Angeles and studio soundstages. 

But in its way Charlie Chaplin’s 1931 film City Lights qualifies as an epic—and so does the story behind the San Francisco Silent Film Festival’s one-night-only presentation of this silent masterpiece, accompanied by the Oakland Symphony under the direction of Timothy Brock, at Oakland’s Paramount Theatre on Saturday, February 19. 

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THE UNKNOWN CHAPLIN, a Turkish CITY LIGHTS Remake(!) and more surprises

Possibly the best documentary about Chaplin is The Unknown Chaplin. In three parts you can watch here it captures the cinematic genius as he was never meant to be seen. Using countless reels of rushes, outtakes, and abandoned films Chaplin had wanted destroyed, film archivists Kevin Brownlow and David Gill have meticulously crafted an essential and fascinating documentary homage to the Little Tramp who will no doubt keep us laughing until the last flickering frame.

We suggest that you watch The Unknown Chaplin after you see City Lights.

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Watch CITY LIGHTS Shine: A Gallery of Art

Curated by Gary Meyer

Charles Chaplin might be the most recognizable person in the world. His iconic Little Tramp image can be found everywhere. I am guessing that more books have been written about him than any movie star.

One of the many beauties of his work is that they communicate with people who speak any language.

And on Saturday, February 19, the San Francisco Silent Film Festival presents Chaplin’s 1931 masterpiece, CITY LIGHTS accompanied by the Oakland Symphony under the direction of Timothy Brock, at Oakland’s Paramount Theatre. This is a must see experience for all ages.

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SHOW BIZ and JUST PLAIN WEIRD VALENTINE’S DAY CARDS

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We did a random “Vintage Hollywood Valentines” Google search and came up with a treasure trove of images.  And if you click on any given image it enlarges with several new images to the right.

Can you name the stars?

But we have gone further. If it is true that the way to a lover’s heart is through the stomach, check out some vintage food cards. Why stop there. We cover growing up, comics and animation and the really bizarre “Vinegar Valentines.”

Plus several renditions of the classic song, “My Funny Valentine” by Frank Sinatra, Kim Novak. Ella Fitzgerald, Miles Davis and more.

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Let’s All Go To The Movies! Again!

By Gary Meyer

For over a year few of us could go to a theater and enjoy movies the way they were meant to be seen. Audiences are slowly feeling comfortable returning as theaters have made a host of improvements to protect us and to my knowledge no new cases of Covid have been tracked to a cinema.

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If you love them movies I hope that you will enjoy this entire article.

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Silent Footsteps – SFSFF Amazing Tales Online- Free

By John Bengston

There was hidden interplay between movies filmed in Hollywood and in San Francisco. Buster Keaton filmed scenes adjacent to several San Francisco landmarks, but in each case before they were actually built!

Hosted by the San Francisco Silent Film Festival, I will be presenting “Silent Footsteps — From San Francisco to Hollywood” on Sunday, June 6 at 12:00 noon PDT, as part of its ongoing “Amazing Tales Online” series. The webinar is free (register HERE), but SFSFF welcomes new members and support.

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Higher and Lower – THE CLIMB: A Review and Interview

By Andrea Chase

The Climb begins with life-long friends Mark (director and co-writer Michael Angelo Covino) and Kyle (co-writer Kyle Marvin) cycling up a steep hill in the south of France. Mark is ahead, though both are panting heavily with the exertion. Kyle, who is about to be married, is thanking Mark for suggesting the ride, while also waxing rhapsodic about the bucolic beauty of the scene. Mark, the more experienced cyclist, is giving Kyle advice on how to pace himself. Then, while Kyle extols the virtues of his intended, Mark drops the bomb.

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The Palindromists: Was it a rat I saw?

By C.J. Hirschfield

Longtime word nerds like myself have been delighted by recent documentaries that celebrate letters and the wondrous ways they can be arranged. Films include Obit, about New York Times obituary writers, Wordplay, which covered a major crossword puzzle tournament, as well as Spellbound and Spelling the Dream, which welcomes us into the stressful world of spelling bees.

Clearly, it was only a matter of time before the “magic little puzzle” of palindromes—words, phrases, and sentences that read the same backward and forward—were thrust into the spotlight. The new documentary The Palindromists turns out to be much more of a “wow” than a “huh?”, palindromic words used to judge contestants in the World Palindrome Championship, around which the film is centered.

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