by Claire Wu
(May 18, 2026)
Created over the span of 16 years, “Yo (Love is a Rebellious Bird)” is a stunning patchwork of vérité footage, handmade dioramas and puppets, animation sequences and collages. This is not simply a film about grief, but rather a piece of ritual art that continuously meditates on all the highs and lows of Yo’s vibrant life and the integral role she played throughout the filmmaker’s lives as their dear friend.
Photo by Andy Mitchell
By Geneva Anderson (April 29, 2026)
Film Schools like to feature the successful alumni who attended their programs. But none have guided so many to success as the Sundance Labs program where new filmmakers are mentored by established cinema artists under the sensitive yet firm direction of one person.
Robert Redford and Michelle Satter at the Director’s Lab (2011). Photo by Fred Hayes. Courtesy of Sundance.
Michelle Satter, one of the world’s most important and influential champions of independent film is the recipient of SFFILM’s 2026 Mel Novikoff Award and will be honored on Thursday, April 30, at a special evening that includes Satter in conversation with award-winning Oakland filmmaker Peter Nicks, followed by a screening of Benh Zeitlin’s 2012 film “Beasts of the Southern Wild,” a wildly successful project supported by both Sundance Institute and SFFILM. Continue reading
“Artists are the gatekeepers of truth, the anchor of civilization and the compass for humanity’s conscience”
-Michelle Satter
Geneva Anderson interviewed a selection of the many filmmakers who have been through Sundance Labs to accompany her interview with Michelle Satter . Continue reading
By Noma Faingold (April 11, 2026)
Chilean-born filmmaker Andrés Gallegos chose San Francisco in 2014 to continue his education, earning an MFA in Cinema at San Francisco State University. He had visited prestigious film schools in New York and Los Angeles, but the Bay Area instantly felt like home. “I liked the program at State, but I fell in love with what was happening here,” he said. “The richness of the culture and the creative community made me want to stay.”
An interview by Geneva Anderson. (March 16, 2026)
Sophoan Sorn. Festival director of Berlin & Beyond at the Castro Theater which screens three German dramas on March 19. Image: Sophoan Sorn
The Berlin & Beyond film festival (B&B) (March 19-23) will celebrate its 30th anniversary in style, with Opening Night at revamped Castro Theater on March 19. The evening unfolds with Ido Fluk’s drama, “Köln 75,” the exhilarating back story to Keith Jarrett’s famously improvised 1975 piano concert, along with a special Opening Ceremony and tribute to actor Mala Emde, who stars in the film. Continue reading
By Claire Wu (February 7, 2026)
Previously known for his roles in popular films like “Babygirl,” “Triangle of Sadness” and “The Iron Claw,” BAFTA-nominated Brit heartthrob Harris Dickinson made his directorial debut with the psychological drama “Urchin.” With “Urchin,” Dickinson demonstrates his artistic prowess beyond his acting versatility, pulling from his own lived experiences while volunteering at numerous homeless charities. Through his lens of empathy, he crafts a compelling narrative following Mike, a homeless youth struggling with the cyclical nature of addiction and incarceration as he traverses the East London streets in search of purpose and connection. 
Continue reading
By Noma Faingold
Steve Peletz, 65, underplays his high-risk activities. He’s been scuba diving for more than 40 years. He joins marine biologists on expeditions in remote, exotic waters off the coast of Costa Rica, Columbia, Mexico and the Galápagos Islands. As a volunteer “citizen scientist“ his task is usually to tag different types of sharks so they can be tracked.
In 2019, he took up swimming in the ocean, specifically with a group at China Beach on the West Side of San Francisco. Peletz brought his GoPro camera on virtually all of more than 1,000 swims. He combined his lifelong love of photography and the ocean into his first film, “Lands End,” a nine-minute short getting its world premiere at the Green Film Festival of San Francisco (October 24-30), at the 4-Star Theater. “Lands End” will be screened along with “The Last Dive” on October 26 at 3:30 p.m. Continue reading
By Noma Faingold. (updated October 10, 2025)
Andrew Durham had been reliably wearing several film industry production hats, but he had never much thought about directing a feature film until good friend Sofia Coppola presented the 2013 book, “Fairyland, a Memoir of My Father,” by Alysia Abbott to him.
Award-winning screenwriter/director Coppola had optioned the property and was a committed producer. She knew the unconventional father/daughter coming-of-age story, set in San Francisco, from the 1970s to the early 1990s, would resonate with Durham’s background, having grown up in the Bay Area during those tumultuous decades. Continue reading
By Noma Faingold
(July 31, 2025)
The summer camp movie has become its own genre. By now, what audiences have come to expect is low-brow comedy (balanced by a poignant lesson), with hits like, “Wet Hot American Summer” (2001) and “Meatballs” (1979). Continue reading
By Noma Faingold (June 13, 2025)
Prolific, award-winning independent film producer Marc Smolowitz has more than 60 credits in his three-decade career. He’s raised at least $30 million for projects in every genre. At any given time, he is the driving force behind 10 films in various stages of production, including at this very moment.
Photo by Noma Faingold
He doesn’t shy away from declaring why he’s had consistent success and longevity in the ever-changing indie film industry. “I’m fearless and relentless,” Smolowitz said. “I know how to do this job very, very well.”
By Noma Faingold (May 15, 2025)
Writer/director/producer/actor Isaac Hirotsu Woofter was on his phone minutes before his feature debut, “Bound,” was being screened in February, during SF IndieFest at the Roxie Theater. It was a Bay Area homecoming for Woofter and he wanted to make sure the friends and family attending were taken care of.
