A Review by Gaetano Kazuo Maida
July 1, 2022
They had me at “Leonard Cohen.”
Ever since Judy Collins introduced his song “Suzanne” on her great 1968 album, In My Life, his name on a project—book, album, song, film—had special meaning, somehow within and yet beyond pop culture. Here, it’s perhaps his best-known, and certainly most covered song, “Hallelujah” that takes the lead, and offers a lens through which to survey his life, the music business, and the cultural era he inhabited and inspired. Continue reading
Leonard Cohen’s “Hallelujah” is the subject of a new documentary by Dayna Goldfine and Daniel Geller. Hallelujah: Leonard Cohen, A Journey, A Song opens in theaters exclusively in July and August, 2022. Read the review by Gaetano Kazuo Maida.
We think you will enjoy seeing a selection from the dozens of musical stars and hundreds of amateurs (often on TV talent search shows), professional and community choirs, symphony orchestras, TikTok sensations, and many others who have found satisfaction with this beautiful music and its many verses to interpret.
By C.J. Hirschfield
“I can’t believe a film about menstruation just won an Oscar,” enthused the director of a 2019 short subject documentary as she accepted her prize.
Welcome to the golden age of the documentary, as people clamor for great nonfiction films.
By Marilyn Freund
There are only three certainties in life: death, taxes, and cats on the internet. People love cat videos, and if you have any doubt about the universal truth of that, let me throw a few numbers at you, based on my admittedly cursory research. Continue reading
By C.J. Hirschfield
Martin Luther King, Jr. famously said that “The arc of the moral universe is long, but it bends toward justice.”
In Oakland, a remarkable woman warrior for social justice has worked hard–and successfully– to bend that arc over a ten-year period, and a new documentary reminds us just how powerful one passionate person can be.
By Gary Meyer
May 26, 2022 (updated May 29)
Most of us see in 3D. We can look around, above, and below. We take it for granted and it is generally not a thrill ride.
But offer us a pair of 3D glasses, a VR rig or some kind of created immersive environment to take us to places we have not been, other worlds or to be in the middle of action scenes and many of us are willing to pay a premium for the enhanced experience—at least once. And then the novelty wears off and we go back to traditional ways of viewing.
Vicki Bennett looks at us