by Julie Lindow
One would never expect such real-life horror to happen at the gorgeous, historic Castro Theatre in San Francisco. That fateful night, I was slinging candy and popcorn. The air was thick with that hot buttery scent as I salted the last bag of popcorn and patrons scurried into the theater. The manager clunked the heavy double doors closed. The calm after the storm. It was also the calm before the storm of Hallows’ Eve that was a few nights off.
by Gary Meyer
Magic and “live” ghosts, goblins and other creatures of the night go back a long way. What we refer to as “augmented reality” today is hundreds of years old. In 1584 Reginald Scot wrote in his study to debunk beliefs in witchcraft, magic and other superstitions, The Discoverie of Witchcraft, that people dressed in sheets had fooled believers certain they had seen ghosts.
Interpretation of Robertson’s Fantasmagorie from F. Marion’s L’Optique (1867)
By Mike Kaplan
If “Marketing” had been an accepted term for the handling of a motion picture in 1968, my title for the two years I spent nurturing 2001: A SPACE ODYSSEY would have been Marketing Strategist for Stanley Kubrick and MGM and for the subsequent two years, for Kubrick’s A CLOCKWORK ORANGE.
Dan Chaissan’s contribution to the 2001 anniversary coverage in The New Yorker: “Anybody There?” April 23, 2018) has occasional insights but is filled with inaccuracies and false conclusions. With the opening of “Stanley Kubrick, The Exhibition” at the London Design Museum and the two month Kubrick season at the British Film Institute, it seems an appropriate time to set the record straight.
by Gary Meyer
I will never forget the day. June 19, 1968.
By Lincoln Spector
Stanley Kubrick’s 2001: A SPACE ODYSSEY celebrated its 50th anniversary in style this year with two totally different restorations. Warner Brothers released new 70mm prints overseen by DUNKIRK and INTERSTELLAR director Christopher Nolan. Kubrick assistant Leon Vitali (himself the subject of a recent documentary) supervised a new, 4K digital restoration. The Castro Theatre in San Francisco offers the 2001: A SPACE ODYSSEY 70MM/4K Challenge December 28-January 1 where you can see both versions.
An excerpt by Michael Benson
My own lifelong engagement with 2001 started in the spring of 1968 at the age of six. My mom, a confirmed Clarke fan, took me to an afternoon matinee within weeks of the film’s premiere. Whether it was in Washington (where we then lived) or New York (as I remember it) is unclear. While I was already excited by the jump into space as then best represented by the Apollo program—which had already launched two of its towering Saturn V Moon rockets on unmanned test flights—it was no preparation for my first exposure to such a powerfully ambiguous, visually stunning work.