By Gaetano Kazuo Maida. (May 5, 2026)
In these heady days of the astonishing exploits of the Japanese baseball phenom Shohei Ohtani, now with the Los Angeles Dodgers (he’s a unique double-threat: an overpowering pitcher and a home run hitter who steals bases), it may be hard to fathom the early days of Japanese players here—indeed, of Japanese baseball itself. Continue reading
By Geneva Anderson (April 24, 2026)
The 69th San Francisco International Film Festival (SFFILM 69) returns to the Bay Area Friday, April 24, and runs 11 days through Monday, May 4, featuring 79 sharply-curated film programs from 40 countries screening in seven Bay Area theaters. The world cinema line-up of 32 narratives and 11 docs is phenomenal, with original stories that crystalize into masterful portraits of individuals and place. Continue reading
By Claire Wu (February 7, 2026)
Previously known for his roles in popular films like “Babygirl,” “Triangle of Sadness” and “The Iron Claw,” BAFTA-nominated Brit heartthrob Harris Dickinson made his directorial debut with the psychological drama “Urchin.” With “Urchin,” Dickinson demonstrates his artistic prowess beyond his acting versatility, pulling from his own lived experiences while volunteering at numerous homeless charities. Through his lens of empathy, he crafts a compelling narrative following Mike, a homeless youth struggling with the cyclical nature of addiction and incarceration as he traverses the East London streets in search of purpose and connection. 
Continue reading
By Noma Faingold. (January 31, 2026)
The Mostly British Film Festival returns to San Francisco for its 18th year, February 5-12, with 26 films, some new, some nearly new, along with a sprinkling of classics. Curated selections come from the UK, Ireland, Australia, South Africa, India and New Zealand and will all be screened at San Francisco’s Vogue Theater. Continue reading
By C.J. Hirschfield
I know that I live in a bubble—my liberal community’s libraries don’t ban books, and even offer drag queen story time. But outside of this bubble exists a very real and growing threat to the flow of ideas that none of us can afford to ignore.
Be very afraid when a compelling new documentary often quotes from the dystopian novel Farenheit 451, and shows Nazis burning books as often as it does in an attempt to reflect current events. The parallels are both appropriate and chilling. Continue reading
By C.J. Hirschfield
As the former CEO of Children’s Fairyland in Oakland, I appreciate a good folktale. As an aspiring birder, I am fascinated by their remarkable species. And as someone who follows politics, I value learning about how governmental actions can have profound effects on the lives of working people.
National Geographic Film’s new documentary The Tale of Silyan checks all of these boxes for me—and is stunningly beautiful as well. Director/producer Tamara Kotevska, who also directed the 2019 Oscar-nominated Honeyland, weaves a tale about a down-on-his luck Macedonian farmer who creates a special bond with a wounded white stork—a story that very much parallels a beloved regional folk tale, in which a boy named Silyan is transformed into this regal bird. Continue reading
By Vince Keenan
The 51st Seattle International Film Festival drew to a close on May 25, with a selection of entries available via streaming through June 1. At this year’s fest, I paid particular attention to nonfiction titles spotlighting the troika of subjects that matter most to EatDrinkFilms readers. Let’s begin with a libation.
Wine has its sommeliers, beer its cicerones. As the craft cocktail revolution took hold in the aughts, six authorities on spirits launched a program that would provide similar certification to bartenders. Continue reading
“You have to edit the material.
That assumes that some kind of a mind is operating in relation to the material.
Not all minds are the same.
Every aspect of filmmaking requires choice.
The selection of the subject, the shooting, editing and length are all aspects of choice.”
~ Frederick Wiseman
By Cari Borja
Quotes center me. I always begin with them. Whether at the start of a salon dinner, a birthday card, a performance installation, or a piece of writing. They lend focus. The above Wiseman quote does the same ~ his words, his films, his quote ~ a focus. Continue reading
by Meredith Brody
(October 1, 2024)
You HAVE to Go to the Mill Valley Film Festival— if You Want the Vanishing Pleasures of the Communal Movie Experience.
By Julie Lindow
It is rare that watching a film can provoke a similar response as reading an author’s work, but The Art of Eating: The Life of M.F.K. Fisher does just that. One feels both starved and satisfied. Fortunately, Mary Frances Kennedy Fisher’s words on screen and paper not only awaken our hunger, but teach us how to listen to our own desires, how to slow down and pay attention, be curious, sensual, in the moment, and ultimately, how to more intensely live and love. Continue reading
By Vince Keenan
(May 22, 2024)
(Editor’s note: As people increase their frequency of going out to entertainment, most events that went virtual during Covid have returned to in-person presentations, including film festivals. The Seattle International Film Festival has programmed a number of their in-person selections for streaming through May 27 so that people not in the Seattle area can discover them. Film lover and mixologist Vince Keenan writes about four Eat & Drink Films he saw at the festival.)
The Seattle International Film Festival has always offered a robust selection of movies about food and drink, “Culinary Cinema” being one of its staple programs. It continues the tradition in its fiftieth anniversary season. Several of the relevant titles are programmed in categories related to location—the Pacific Northwest and the Iberian Peninsula—which is only fitting, as the films all touch on and expand the concept of terroir. Continue reading
