It’s Time to Meet Michelle Satter, the Sundance Labs’ Resident Angel

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By Geneva Anderson        (April 29, 2026)

Film Schools like to feature the successful alumni who attended their programs. But none have guided so many to success as the Sundance Labs program where new filmmakers are mentored by established cinema artists under the sensitive yet firm direction of one person.

Robert Redford and Michelle Satter at the Director’s Lab (2011). Photo by Fred Hayes.  Courtesy of Sundance.

Michelle Satter, one of the world’s most important and influential champions of independent film is the recipient of SFFILM’s 2026 Mel Novikoff Award and will be honored on Thursday, April 30, at a special evening that includes Satter in conversation with award-winning Oakland filmmaker Peter Nicks, followed by a screening of Benh Zeitlin’s 2012 film “Beasts of the Southern Wild,” a wildly successful project supported by both Sundance Institute and SFFILM. Continue reading →

10 Must-See World Cinema Films

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By Geneva Anderson                                                              (April 24, 2026)

The 69th San Francisco International Film Festival (SFFILM 69) returns to the Bay Area Friday, April 24, and runs 11 days through Monday, May 4, featuring 79 sharply-curated film programs from 40 countries screening in seven Bay Area theaters.   The world cinema line-up of 32 narratives and 11 docs is phenomenal, with original stories that crystalize into masterful portraits of individuals and place. Continue reading →

Filmmaker Andrés Gallegos Steps into the Light with ‘The Darkest Night’

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By Noma Faingold             (April 11, 2026)

Chilean-born filmmaker Andrés Gallegos chose San Francisco in 2014 to continue his education, earning an MFA in Cinema at San Francisco State University. He had visited prestigious film schools in New York and Los Angeles, but the Bay Area instantly felt like home. “I liked the program at State, but I fell in love with what was happening here,” he said. “The richness of the culture and the creative community made me want to stay.”

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Cooking with the “IT!” Girl

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A Supper with Clara Bow curated by Jenny Hammerton.                                                             (March 17, 2026)

I’ve been collecting the favorite recipes of movie stars and trying them out, for over 25 years.  There are a surprising amount of weird and wonderful signature dishes on record in books, magazines and advertising ephemera and my culinary collection now numbers over 10,000.  My favourite celebrity chefs are Vincent Price, Sophia Loren and Yul Brynner, but I have an enduring love for recipes shared by stars of the silent era too.

To celebrate the San Francisco Silent Film Festival’s showing of Clara Bow in “It” at the restored Castro Theatre on Sunday, March 22 accompanied by the Mont Alto Motion Picture Orchestra,  I offer you a menu of Clara favorite recipes.  Full screening info and to buy tickets here. 

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24 minutes with “Berlin & Beyond’s” Sophoan Sorn

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An interview by Geneva Anderson.     (March 16, 2026)

Sophoan Sorn. Festival director of Berlin & Beyond at the Castro Theater which screens three German dramas on March 19.   Image: Sophoan Sorn

The Berlin & Beyond film festival (B&B) (March 19-23) will celebrate its 30th anniversary in style, with Opening Night at revamped Castro Theater on March 19.  The evening unfolds with Ido Fluk’s drama, “Köln 75,” the exhilarating back story to Keith Jarrett’s famously improvised 1975 piano concert, along with a special Opening Ceremony and tribute to actor Mala Emde, who stars in the film. Continue reading →

Harris Dickinson’s “Urchin” is a promising debut defined by empathy

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By Claire Wu                             (February 7, 2026)

Previously known for his roles in popular films like “Babygirl,” “Triangle of Sadness” and “The Iron Claw,” BAFTA-nominated Brit heartthrob Harris Dickinson made his directorial debut with the psychological drama “Urchin.” With “Urchin,” Dickinson demonstrates his artistic prowess beyond his acting versatility, pulling from his own lived experiences while volunteering at numerous homeless charities. Through his lens of empathy, he crafts a compelling narrative following Mike, a homeless youth struggling with the cyclical nature of addiction and incarceration as he traverses the East London streets in search of purpose and connection. Continue reading →

Noir City 23 to The Rescue!

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Anticipating This Year’s Music-Themed Fest With Delight

by Meredith Brody.  (January 13,2026)

I love Eddie Muller’s Noir City film festivals; I don’t think I’ve missed a one since his first edition in Los Angeles at the American Cinematheque in 1999, four years before SF’s first Noir City.

I start out perusing the list of 24 films (paired in a dozen double bills) in my usual somewhat-blinkered and mildly narcissistic fashion: which ones are new to me? Since I’ve been seeking out film noir since before I went to college, and my first post-college publication in book form was in Alain Silver and Elizabeth Ward’s first “Encyclopedia of Film Noir” back in 1979, it’s not totally a surprise that there are only two that qualify: the British Face the Music aka The Deadly Glove (1954), and The Crimson Canary (1945), neither of which I’ve even heard of.

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