by Claire Wu
(May 18, 2026)
Created over the span of 16 years, “Yo (Love is a Rebellious Bird)” is a stunning patchwork of vérité footage, handmade dioramas and puppets, animation sequences and collages. This is not simply a film about grief, but rather a piece of ritual art that continuously meditates on all the highs and lows of Yo’s vibrant life and the integral role she played throughout the filmmaker’s lives as their dear friend.
Photo by Andy Mitchell
By Noma Faingold (April 16, 2025)
Watching the 28-minute, 10-screen film/art installation, “Lessons of the Hour,” by British artist/filmmaker Sir Isaac Julien, isn’t as overwhelming as one might think. In fact, the flood of images, sounds and words, dedicated to the life of writer, orator, philosopher, and social justice activist Fredrick Douglass (1818-1895), a former slave, allows the viewer to absorb and interpret the immersive experience in their own way.
By Gary Meyer
May 26, 2022 (updated May 29)
Most of us see in 3D. We can look around, above, and below. We take it for granted and it is generally not a thrill ride.
But offer us a pair of 3D glasses, a VR rig or some kind of created immersive environment to take us to places we have not been, other worlds or to be in the middle of action scenes and many of us are willing to pay a premium for the enhanced experience—at least once. And then the novelty wears off and we go back to traditional ways of viewing.
Vicki Bennett looks at us
By Steve Segal
May 23, 2022
Ever since audiences fled for their lives seeing the Lumière’s Train Entering the Station in 1895, filmmakers have been trying to bring cinema audiences into the action. I recently saw two such examples.
Gone Gone Beyond is a one-hour 360-degree cinema collage presented by Recombinant Media Labs CineChamber. It is showing in San Francisco at the Gray Area through Friday, May 27.
By Brian Darr
May 19, 2022
In 2014 John Davis produced a double-album entitled Gravity Spells: Bay Area New Music and Expanded Cinema Art, which presented sound recordings made by himself as well as Maggi Payne, Tashi Wada, Ashley Beloun and Ben Bracken, paired with accompanying DVDs featuring work by local moving image artists Lawrence Jordan, Craig Baldwin, Paul Clipson and Kerry Laitala. The release was accompanied by four weekend performances at the Kala Art institute in Berkeley, and the discs quickly sold out.
Now nearly eight years later there’s a sequel release, Gravity Spells II involving an entirely new slate of Bay Area sound artists and filmmakers. This time around the performances celebrating the release will all be held May 19-22 at venerable Mission District venue The Lab. Only the artists know quite what to expect, but they’re sure to present a unique live cinema experiences.
