by C. J. Hirschfield
The 2014-15 @Large: Ai Weiwei on Alcatraz exhibit, held at the now decommissioned and notorious prison, drew nearly 900,000 visitors, generated over 90,000 postcards to political prisoners all over the world, and illustrated the power of art when presented outside of a traditional museum or gallery setting.
by C.J. Hirschfield
At age 79, and after 60 years of activism, John Lewis is still organizing; still mobilizing; still legislating. Oh yes, and he’s definitely still dancing.
In the illuminating and luminous new documentary, John Lewis: Good Trouble, acclaimed Bay Area director Dawn Porter (Trapped, Gideon’s Army) creatively and conscientiously chronicles the life and career of the legendary civil rights activist and Democratic Congressman from Georgia.
by Kim Nalley
Within the first seconds of Ella Fitzgerald: Just One Of Those Things British Eagle Rock’s documentary on the jazz vocalist, the seamless connection between the tempo and lyrics of Ella Fitzgerald singing How High The Moon and the shaky black and white images of Ella racing down the highway in a car portends that this is going to be a great film. Sit down, relax, and fix yourself a drink because this is a movie worth savoring.
The wonderful sounds of Ella Fitzgerald and Kim Nalley are even more fun if you can watch them perform.
There is no way we can include all the great material one can find on the Internet. We offer a sampling that will keep you happy for hours featuring both Ella and Kim.
By C. J . Hirschfield
The joys and memories of summer camp can last a lifetime. But one very special summer camp actually sparked a revolution by the largest minority group in the U.S., and a new Netflix documentary brilliantly reveals this previously hidden history.
By Louise Dunlap
My first reaction is “No way I’m going to review a film with the name “R——.“ I’ve spent too long telling relatives in the nation’s capital how their team’s name evokes bloody skins of the First People of our continent hunted for bounty. Even though this film acknowledges the R-word as a slur, even though today’s reviewers think it progressive for its time, I’m reluctant. Our history is one white person’s version of Indians after another—with Hollywood in the lead. I don’t want to join the thread.
But then I look at the specs.