A PICTURE IS WORTH A MILLION WORDS

by Gary Meyer

Of the many film festivals I enjoy each year, the San Francisco Silent Film Festival is certainly one of my favorites. I love the fact that the Festival Directors, Anita Monga and Stacey Wisnia, curate my experience. There is only one film playing at a time and all are at the mighty Castro Theatre accompanied by wonderful live music.

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Welcome

You come in the morning for a 10am show and stay until after the sun goes down…most likely around 11pm. A community develops where you run into friends you haven’t seen in years and make lots of new friends waiting in line (to get in, to buy food or use the rest rooms) or while sitting in the theater before the show starts. As the festival progresses through its five days you realize that this is the closest thing to a movie summer camp.

Bring family and friends, especially those who have never seen a silent film on the big screen with live music and a lively audience. They will become converts.

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Watch ARENA’s “Night and Day”

(updated April 21, 2019)
The San Francisco Film Festival gave the Mel Novikoff Award  to the great BBC series ARENA and its producer Anthony Wall. 
The award is named after the much loved San Francisco art cinema owner whose Surf Theatre was legendary. Novikoff saw the potential of taking the run down and all-but-forgotten Castro Theatre and making it a true destination for movie lovers. The Award is given “to an individual or institution whose work has enhanced the film-going public’s appreciation of world cinema.” Image result for arena bbc video logo

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SINGIN’ IN THE RAIN FOREVER

by Gary Meyer
ON THE TOWN, ROYAL WEDDING, SINGIN’ IN THE RAIN, SEVEN BRIDES FOR SEVEN BROTHERS, IT’S ALWAYS FAIR WEATHER, FUNNY FACE, THE PAJAMA GAME, INDISCREET, DAMN YANKEES, CHARADE, ARABESQUE, TWO FOR THE ROAD and BEDAZZLED.

All winners in our book.  Hollywood’s elite agree.  And yet the man who directed them all, Stanley Donen never was even nominated for an Oscar.
On the eve of the 2019 Academy Awards we are saddened to learn of his passing but happy that he lived a full 94 years and gave movie audiences many hours of pleasure.  It will be interesting to see how they work Stanley into the Oscar “In Memory” reel.
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2001: A PROJECTION ODYSSEY – Big Screen, Small Screen, 70mm, & Digital

By Lincoln Spector

Stanley Kubrick’s 2001: A SPACE ODYSSEY celebrated its 50th anniversary in style this year with two totally different restorations. Warner Brothers released new 70mm prints overseen by DUNKIRK and INTERSTELLAR director Christopher Nolan. Kubrick assistant Leon Vitali (himself the subject of a recent documentary) supervised a new, 4K digital restoration.  The Castro Theatre in San Francisco offers the 2001: A SPACE ODYSSEY 70MM/4K Challenge December 28-January 1 where you can see both versions. 

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SPACE ODYSSEY: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece 

An excerpt by Michael Benson

Space Odyssey.jpgMy own lifelong engagement with 2001 started in the spring of 1968 at the age of six. My mom, a confirmed Clarke fan, took me to an afternoon matinee within weeks of the film’s premiere. Whether it was in Washington (where we then lived) or New York (as I remember it) is unclear. While I was already excited by the jump into space as then best represented by the Apollo program—which had already launched two of its towering Saturn V Moon rockets on unmanned test flights—it was no preparation for my first exposure to such a powerfully ambiguous, visually stunning work.

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