By Noma Faingold (August 14, 2026)
Mill Valley painter Christiane Lyons has dedicated the last 10 years to her series, which she somewhat facetiously calls, “Some Women: A Total Portrait With No Omissions.” The oil paintings are collage-like, yet more refined. There’s also a double or triple-exposure effect in the depiction of the women. The work is figurative, abstract and surreal. It’s easy to be drawn to the colorful, layered pieces. There’s a soft beauty to them. But a closer, more pensive examination reveals an indictment on the objectification of women in history and in current times.





