By C.J. Hirschfield
April 21, 2022 (updated April 23)
Just as the Academy Award-nominated feature documentary ATTICA effectively used historical footage and interviews with key participants to illustrate our country’s history of systemic racism, so too does the excellent new documentary AMERICAN JUSTICE ON TRIAL. 
By Ashia Solei
It’s true – in 2016, I went to vote at the same polling place where I’d voted for a decade and had received a postcard in the mail confirming I was registered. This time when I went to vote, I was told my name wasn’t on the voter rolls and was asked if I wanted a provisional ballot. Reluctantly, I voted with a provisional ballot because I knew a dirty little secret about us voting: provisional ballots do not have to be counted. Whether a provisional ballot is counted varies according to county practices, and some practices can be biased.
By C.J. Hirschfield
March 14, 2022
Cinema junkies forgive iconic documentary filmmaker Frederick Wiseman for the length of some of his works that venture deep into American institutions; his most recent City Hall covering the government of Boston clocked in at four and a half hours. We absolve him because he is so good at taking us inside worlds that we don’t know, as his camera disappears and we learn so much by listening and observing, happy to have made the journey.
Comparisons to Wiseman’s work are inevitable as we describe the numerous joys of Maria Speth’s new documentary, Mr. Bachmann and his Class, the closing night film at Berlin & Beyond 2022, at the Berkeley Art Museum/Pacific Film Archive. It is now streaming on MUBI. Continue reading
Ashia Solei Interviews Stanley Nelson
Co-Directors Stanley Nelson and Traci Curry brilliantly reshape race narrative in ATTICA by giving voice to the unheard minorities and disrupting the dominant historical narrative. It is a strategy that Nelson has used in his many films including THE MURDER OF EMMETT TILL, JONESTOWN: THE LIFE AND DEATH OF PEOPLE’S TEMPLE and MILES DAVIS: BIRTH OF THE COOL.
By C.J. Hirschfield
Key Art for ATTICA. Photo credit: Courtesy of SHOWTIME.
Teaching critical race theory in schools enrages the right wing. This theory states that U.S. social institutions—including the criminal justice system—are laced with racism embedded in rules and procedures that lead to differential outcomes by race.
On the 50th anniversary of the largest prison rebellion in U.S. history, it is high time we examine exactly what took place at Attica; why, and how. Not for the purpose of blaming a race, but to educate, and to inspire us to not repeat the mistakes of the past. Emmy-winning director Stanley Nelson and co-director Traci A. Curry have provided just that with their excellent new documentary, ATTICA. Continue reading
By Ashia Solei
During ATTICA, Stanley Nelson and Traci A. Curry’s stunning documentary about the largest prison riot in US history, a 1971 network news reporter announces, “In the final hours of the revolt led primarily by Blacks, the inmates murdered nine of their White hostages.”
Only it isn’t true.
Continue reading A Re-VIEW
by Maria Elena Gutierrez
In the animated musical adventure Vivo a music-loving kinkajou called Vivo (Lin-Manuel Miranda) sets out to deliver a song written by his friend Andrés (Juan de Marcos González) to his long-lost love Marta (Gloria Estefan). Along the way, Vivo befriends an energetic young girl called Gabi (Ynairaly Simo) who helps him in his quest.
Continue reading
By C.J. Hirschfield
(Editor’s note: On August 20, 2021 Michael Morgan unexpectedly passed away at age 63 from an infection. In the weeks prior to being admitted to the hospital he had conducted at the San Francisco Symphony and Bear Valley Music Festival. The Oakland Symphony paid tribute to him.)
In April, 2021, ten documentary short subject films were short-listed for this year’s Oscars. At their best, documentary shorts tell a compelling story that, while lacking in length (they must be under 40 minutes) still manage to grab and hold us, leaving us richer for the experience.
BY C.J. Hirschfield
Writer Pearl S. Buck said that “To find joy in work is to discover the fountain of youth.”
Two of the remarkable Bay Area women featured in the 10th annual Legacy Film Festival on Aging have seemingly done just that, and they’ve used their collective 200 (!) years of rich experience to arrive at a place where they now choose to enlighten and inspire.
By C.J. Hirschfield
In 2018, the film BLINDSPOTTING, co-written and starring Oakland natives and lifelong friends Rafael Casal and Daveed Diggs, explored the intersection of race and class, set against a rapidly gentrifying Oakland. In addition to being critically acclaimed, the film was a love letter to the city in which it was set.
By Andrea Chase
SXSW 2021 went virtual. The group experience was missing, but the films were just as compelling. There were the headliners and award-winners that grabbed a lot of attention, and rightly so. Megan Park’s narrative THE FALLOUT won the narrative feature competition for laying out the impossibility of feeling secure in a world where violence can erupt at any time and any place, while Jeremy Workman’s LILY TOPPLES THE WORLD, winner of the feature documentary award, shares the virtual community surrounding the sheer pleasure of watching the dominos so carefully set up by its subject line topple with giddy, clacking rhythm.
