Natalie Baszile Pivots from Author to Filmmaker with Documentary ‘Harvest’

By Noma Faingold

In the documentary, “Harvest,” co-directors Natalie Baszile and her daughter, Hyacinth Parker, let the four Nelson brothers tell and show the story of family farm life in rural Louisiana, revealing all the complexities, struggles, tragedy, resilience and togetherness.

From a stunning view, high above the acres of corn, soy and cotton, the uniformed lines of growth look harmonious. At ground level, the reality isn’t so pristine. “Harvest” opens with the four brothers, who are devoted to farming and to each other, hindered by outdated, faulty machinery. Continue reading →

Weaving Past and Present Together in “Nenge Omuko: The Gathering”

By Noma Faingold.                            (July 10, 2026)

You can’t separate the art from the artist. With Nigerian painter and humanitarian Nengi Omuko, that’s a really good thing, as opposed to infamous misogynist Pablo Picasso, pedophile and bigamist Paul Gauguin and murderous pimp Caravaggio (born Michelangelo Merisi).

The Impressionist paintings of up-and-coming Omuko, 39, embrace heritage, revere nature, while grappling with the human condition, in all its struggles and triumphs.

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A Key Stop for Awards Season

Jessie Fairbanks Talks About Starting Planning for the SFFILM Awards Night Months in Advance

By Noma Faingold                                                                                                                                                        (December 1, 2025)

Hollywood’s award season, culminating with the 98th Academy Awards next March, has begun. SFFILM’s 2025 Awards Night (in its 68th year) on December 8 is an early stop and proven momentum builder during the circuit. Director of Programming at the San Francisco International Film Festival, Jessie Fairbanks, starts her preparation to secure the four recipients in June by reaching out to studios and the teams behind the talent.

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Messages for the Future

The United Nations Association Film Festival returns to the Bay Area with another urgent, globally expansive lineup. Running from October 16–26, the 28th edition of UNAFF brings 60 documentary films to venues across Palo Alto, East Palo Alto, San Francisco, and Stanford University. More than just a film festival, UNAFF is a civic forum—a space for dialogue, reflection, and action.

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‘Reflections’ of Diana Ross: Through the Mirror of My Mind

By Noma Faingold  (August 13, 2025)

Diane Ross will be appearing at San Francisco’s Stern Grove on Sunday, August 17, 2025 in a free afternoon concert. While sold out, 1000 tickets will be given away Friday at 5pm. See bottom of this article for details.

The family hi-fi set-up, anchored by two giant hidden speakers, was located in the dining room. We never ate there unless we had company. No one who came to the house knew where the speakers were because the beige tweed fabric covering them matched the adjacent drapes.

The first Diana Ross album I bought was simply titled, “Diana Ross.” The 1970 release was her debut solo record. I was in second grade and my musical taste was already firmly established. I gravitated to the slick soul of Motown – artists like The Jackson 5, The Temptations, Stevie Wonder and especially Ross, as opposed to popular hardcore rock bands of the time, Black Sabbath, Deep Purple and Led Zeppelin.

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The Life of an Independent Film Producer

By Noma Faingold  (June 13, 2025)

Prolific, award-winning independent film producer Marc Smolowitz has more than 60 credits in his three-decade career. He’s raised at least $30 million for projects in every genre. At any given time, he is the driving force behind 10 films in various stages of production, including at this very moment.

Photo by Noma Faingold

He doesn’t shy away from declaring why he’s had consistent success and longevity in the ever-changing indie film industry. “I’m fearless and relentless,” Smolowitz said. “I know how to do this job very, very well.”

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Isaac Julien Dreams A World

By Noma Faingold (April 16, 2025)

Watching the 28-minute, 10-screen film/art installation, “Lessons of the Hour,” by British artist/filmmaker Sir Isaac Julien, isn’t as overwhelming as one might think. In fact, the flood of images, sounds and words, dedicated to the life of writer, orator, philosopher, and social justice activist Fredrick Douglass (1818-1895), a former slave, allows the viewer to absorb and interpret the immersive experience in their own way.

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