by Pawel Pawlikowski
The other day someone from the Motion Picture Arts and Sciences Academy in LA asked my producer Ewa to send them the script of our film Ida so they could deposit it in their Core Library collection. Ewa rang me up worried: what exactly should she send them? She had 23 permutations of the script on her files. Surely she couldn’t send them the official script we raised the money on. It was nothing like the film that ended up on the screen. Maybe we could simply send a transcript of the finished film? But that would amount to no more than 30 pages—probably not much use to the Academy, either. Continue reading