by Brian Darr

If there’s a filmmaker who more exemplifies the cliché of “living and breathing cinema” than Craig Baldwin, it’s hard to imagine who it might be. The Oakland-born cineaste’s conspiratorial works like Tribulation 99  and Mock Up On Mu  are radically collaborative both with the image-makers of the past (infused as they are by clips from industrial films, science-fiction touchstones, and all manner of other reclaimed reels), and with current kindred filmmakers like Bill Daniel and Sylvia Schedelbauer, who have played large roles in their creation.  Continue reading →