A Review by Gaetano Kazuo Maida

July 1, 2022

They had me at “Leonard Cohen.”

Ever since Judy Collins introduced his song “Suzanne” on her great 1968 album, In My Life, his name on a project—book, album, song, film—had special meaning, somehow within and yet beyond pop culture. Here, it’s perhaps his best-known, and certainly most covered song, “Hallelujah” that takes the lead, and offers a lens through which to survey his life, the music business, and the cultural era he inhabited and inspired. Continue reading →