The Mill Valley Film Festival once again reminds us of film’s boundless capacity to surprise, challenge, and move us.
Category Archives: Pacific Film Archive
It’s a Noir, Noir, Noir, Noir World
By Meredith Brody (June 13, 2025)
There’s always room for more noir in my life.
“In Lonely Places: Film Noir Beyond the City” will help out this summer at BAMPFA.
Welcome to the 68th San Francisco International Film Festival
A sneak preview of the opening weekend at the oldest film festival in the Americas.
By Meredith Brody (April 23, 2025)
After a five-day iteration in 2024, SFILM returns in 2025 with eleven days stuffed with over 150 movies (narratives, documentaries, and shorts) from 50 countries, special events, workshops and talks, and awards. April 17-27.
A SNEAK PEEK AT FALL FILMS AT THE MILL VALLEY FILM FESTIVAL
by Meredith Brody
(October 1, 2024)
You HAVE to Go to the Mill Valley Film Festival— if You Want the Vanishing Pleasures of the Communal Movie Experience.
What’s Screening in the Bay Area According to Bay Flicks
By Lincoln Spector. (April 4, 2024)
What’s Screening: April 5 – 11
For reasons that I prefer not to discuss, I’ve lost the Bayflicks blog…hopefully only for a while. Thankfully, Gary Meyer of Eat Drink Film has given me space for my newsletter. Continue reading
I Didn’t See You There
By C.J. Hirschfield
(Updated January 9, 2023)
A monument to circus showman P.T. Barnum stands in Reid Davenport’s hometown of Bethel, Connecticut. “He got a pedestal,” says the director of I DIDN’T SEE YOU THERE, the new documentary that premiered at the 65th SFFILM Festival, while the disabled filmmaker’s perspective is from the sidewalk. The film, a meditative and personal feature that invites the viewer to see the world through his eyes—and at his level– often refers to the corrosive legacy of Barnum’s freak shows and how society relates to those who are different.
Loudly Anticipating the San Francisco Silent Film Festival
Part One: Not Feeling Festive
By Meredith Brody
May 3, 2022
The pandemic disrupted virtually (pun unintended, but hiya, Dr. Freud!) every aspect of my life, but none more thoroughly or dismayingly than the one that contributed most of its bliss, excitement, and travel (not to mention remuneration, once I’d written about them): attending film festivals.
MR. BACHMANN AND HIS CLASS
By C.J. Hirschfield
March 14, 2022
Cinema junkies forgive iconic documentary filmmaker Frederick Wiseman for the length of some of his works that venture deep into American institutions; his most recent City Hall covering the government of Boston clocked in at four and a half hours. We absolve him because he is so good at taking us inside worlds that we don’t know, as his camera disappears and we learn so much by listening and observing, happy to have made the journey.
Comparisons to Wiseman’s work are inevitable as we describe the numerous joys of Maria Speth’s new documentary, Mr. Bachmann and his Class, the closing night film at Berlin & Beyond 2022, at the Berkeley Art Museum/Pacific Film Archive. It is now streaming on MUBI. Continue reading
FEAST WITH FELLINI- Recipes
FELLINI 100 is a feast of Fellini Films playing at the Berkeley Art Museum/ Pacific Film Archive through May 14, 2022.
We present recipes from Bay Area chefs that honor Federico Fellini along with music and Fellini’s own thoughts on food. The restaurants are C’era Una Volta and Poesia.
FELLINI 100 : A Celebration in Images, Words and Music
by Gary Meyer
“Why don’t you make films in color?” Federico Fellini was asked shortly after his 1963 black and white hit 8 ½. He explained that it was not his right to determine for the audience the exact color of, say, a blade of grass or the blue in the sky. I was a teenager with a passionate interest in all kinds of movies, especially the exotic foreign films playing at theaters like Mel Novikoff’s Surf Theatre, Pauline Kael and Ed Landsburg’s Studio & Guild Cinemas and at the San Francisco International Film Festival— this intriguing answer that made sense to me until his next feature came out where he more than broke his rule. Juliet of the Spirits was so overwhelming in its use of color one might have thought it was soon to be banned and he needed to splash every tint and tone across the screen while he could. I loved it in 1965 and can’t wait to see it again on the big screen as part of the Fellini 100 celebration through May 14, 2022 at BAMPFA.
FELLINI IN MOTION
We love Fellini and we love trailers that tease us to want to see the full features.
In March 2020 the Berkeley Art Museum/Pacific Film Archive was starting an extensive Fellini 100 series when Covid shut the Museum down. But the Fellini Celebration is back, playing through May 14, 2022.
We are pleased to present a collection of trailers, interviews and appreciations of Federico Fellini in honor of his belated 100th birthday.
eatdrinkfilms.com 