Gerald Peary, A RELUCTANT FILM CRITIC

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A sharp, funny, and deeply engaging memoir, A Reluctant Film Critic traces Gerald Peary’s unlikely journey from a bookish, movie-obsessed boy in small-town America to one of the country’s most distinctive critical voices. Told in vivid, fast-moving vignettes, it’s a story of curiosity, rebellion, and discovery—of a life spent both inside and outside the darkened cinema.  EatDrinkFilms is proud to present an excerpt from the fascinating interview by Bill Marx that concludes the book. Continue reading →

Silents Please! and Listen

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The 2025 Iteration of SF’s Famed Silent Film Festival Unspools in an Art Deco Gem in Orinda

by Meredith Brody  (November 10, 2025)

I bow to no one in my appreciation, nay, adulation, of the San Francisco Silent Film Festival (aka SFSFF).  It’s not only one of the jewels in the crown of local film festivals, but now has achieved international acclaim, drawing attendees not only from the US but the world. Continue reading →

‘Reflections’ of Diana Ross: Through the Mirror of My Mind

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By Noma Faingold  (August 13, 2025)

Diane Ross will be appearing at San Francisco’s Stern Grove on Sunday, August 17, 2025 in a free afternoon concert. While sold out, 1000 tickets will be given away Friday at 5pm. See bottom of this article for details.

The family hi-fi set-up, anchored by two giant hidden speakers, was located in the dining room. We never ate there unless we had company. No one who came to the house knew where the speakers were because the beige tweed fabric covering them matched the adjacent drapes.

The first Diana Ross album I bought was simply titled, “Diana Ross.” The 1970 release was her debut solo record. I was in second grade and my musical taste was already firmly established. I gravitated to the slick soul of Motown – artists like The Jackson 5, The Temptations, Stevie Wonder and especially Ross, as opposed to popular hardcore rock bands of the time, Black Sabbath, Deep Purple and Led Zeppelin.

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Charlie Was My Co-Pilot- Celebrating Chaplin Days

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By Gary Meyer. (May 13, 2025)

“A day without laughter is a day wasted” -Charlie Chaplin

I can’t imagine a more wonderful spring weekend than the Charlie Chaplin Days in Niles (Fremont), California, May 16-18. Starting with a tour of Eugene O’Neill’s house where Chaplin’s wife Oona grew up, the celebration includes plenty of restored Chaplin films made by the Essanay Studio on the big screen  with audiences laughing uncontrollably at times. There are live presentations, rare footage and photos seen for the first time since they were made, walking tours, rides on a vintage diesel train, and the annual Charlie Look-Alike Contest. Continue reading →

Barbarella Gives a Physical-According to AI

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By Gary Meyer and his AI bestie  (April 15, 2025)

When I read that (not my) POTUS was getting his physical from a Dr. Barbabella I misread it as the French satirical science fiction comic strip heroine created by Jean-Claude Forest and subsequent popular movie starring Jane Fonda, “Barbarella.”  I wondered what ChatGBT could do with that. You will note in the comic strip balloons there are misspelled words and the bottom panels are partially cut off sometimes. ChatGBT  wants to be sassy and hip in its responses.

I asked for : “BARBARELLA as a doctor treating Donald Trump.”

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Comfort for the Anglophiles – Well, Everybody, Actually: The Mostly British Festival 2025

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by Meredith Brody                                                    (February 4, 2025)

We cinephiles contain multitudes. Luckily, the SF Bay Area continues to cater to its diverse audiences with a number of well-curated film festivals. One of my favorites has always been the annual Mostly British Film Festival, which colonizes (haha) the Vogue Theater for 8 days in February. Mostly British includes films from the UK, Ireland, Australia, India, South Africa, and New Zealand. Catnip for not only the Acorn and Britbox addicts, but for Anglophiles and others. Continue reading →

Music Hath Charms

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San Francisco’s A Day of Silents Features a Stellar Lineup of Musicians and Films on Sunday, February 2, 2025.

by Meredith Brody.                                                         (January 28,2025)

The Mont Alto Motion Picture Orchestra. Photo by Pamela Gentile.

You’ve all heard that silent movies really weren’t SILENT: they all had live musical accompaniment, ranging from a solitary guy at an upright piano or a mighty Wurlitzer to up-to-110-member symphonic orchestras. When Carmine Coppola was about to go on tour in 1981 to conduct his new score for his son Francis Ford Coppola’s restoration of Abel Gance’s 1927 Napoleon, he reminisced about the silent movie palaces of his youth: “”When I was really young,” Mr. Coppola recalled, ”I would go to Broadway to see a movie. I remember  The Thief of Bagdad, with Douglas Fairbanks; he always insisted on an original score. Those theaters – the Strand, the Rialto, the Rivoli, the Capitol – had 40-or 50-piece orchestras. It was so beautiful. I saw the Big Parade that way and What Price Glory and The Three Musketeers. ”

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