The 2025 Iteration of SF’s Famed Silent Film Festival Unspools in an Art Deco Gem in Orinda
by Meredith Brody (November 10, 2025)
I bow to no one in my appreciation, nay, adulation, of the San Francisco Silent Film Festival (aka SFSFF). It’s not only one of the jewels in the crown of local film festivals, but now has achieved international acclaim, drawing attendees not only from the US but the world. Continue reading
By Julie Lindow (June 16, 2025)
Are you planning to attend a play at the Oregon Shakespeare Festival this summer? It is a terrific season with classic works like Julius Caesar, The Importance of Being Earnest, As You Like It, and The Merry Wives of Windsor to contemporary shows including August Wilson’s Jitney, Shane, Fat Ham, Quixote Nuevo, and Sondheim’s Into the Woods. The season runs through October 26. If you don’t have plans yet, I highly recommend you make them and along with a reservation at the dreamy new restaurant, Nous (pronounced new).
Nous revisits the cuisine of the Alsace region of France with a blend of Germanic and French culinary traditions and an outstanding selection of wines and that are stunningly paired with the dishes.
By Vince Keenan
The 51st Seattle International Film Festival drew to a close on May 25, with a selection of entries available via streaming through June 1. At this year’s fest, I paid particular attention to nonfiction titles spotlighting the troika of subjects that matter most to EatDrinkFilms readers. Let’s begin with a libation.
Wine has its sommeliers, beer its cicerones. As the craft cocktail revolution took hold in the aughts, six authorities on spirits launched a program that would provide similar certification to bartenders. Continue reading
As we approach the exciting special screening of Pandora’s Box starring Louise Brooks at the Paramount Theater, Saturday, May 6, 2023, EatDrinkFilms brings you an international collection of posters, ephemera, documentaries and other fascinating treasures related to G.W Pabst’s restored masterpiece.
By Nancy Friedman
(April 25, 2023)
Maligned, misunderstood, and mercilessly censored when it was released in 1929 – and virtually forgotten for the next three decades – Pandora’s Box (Die Büchse der Pandora) is today acknowledged as one of the masterpieces of silent cinema. That honor is attributable in part to the artistry of director Georg Wilhelm Pabst and cinematographer Günther Krampf, two giants of German film. But the film’s real magic resides in the indelible performance of its American star, Louise Brooks, whom the film historian David Thomson has called “one of the most mysterious and potent figures in the history of the cinema.” The British film critic Pamela Hutchinson has said that Brooks – with her impish smile, dancer’s lithe body, and gleaming black helmet of bobbed hair – “both defines the Roaring Twenties and stands outside it. She is timeless.”
By Meredith Brody
(November 5, 2022)
San Francisco is lucky to have Donald Malcolm’s French Noir Series, “The French Had a Name for It” at the Roxie.
The upcoming festival programs 15 films over four days at the Little Roxie, and once again I will be there for all of it. It unspools on Sunday November 6 and Monday November 7, and the following on Saturday November 12 and Sunday November 13.
Part Two- What I Will Be Seeing
By Meredith Brody
May 4, 2022
I learned my lesson early with the San Francisco Silent Film Festival: GO TO EVERYTHING.
The first year I attended, I cherry-picked only the movies I hadn’t seen before. The ones I went to were such a revelation – both in the presentation and the group experience – that my heart hurt as I walked away. What a MAROON I was. Even a movie I thought I knew well would be a fresh experience, featuring as it did not only live music, but one of the world’s great audiences. There’s a kind of euphoria that sets in when you commit to seeing everything on offer.
Continue reading
By Nancy Friedman
April 1, 2022
Here’s what you can expect at any film festival: new films, fun swag, revealing Q&A sessions with filmmakers, stimulating conversations in the lobby or in the line for the restrooms. At the International Ocean Film Festival—North America’s oldest and largest ocean film festival–you can expect all that and something more: a call to action.
By C.J. Hirschfield
March 14, 2022
Cinema junkies forgive iconic documentary filmmaker Frederick Wiseman for the length of some of his works that venture deep into American institutions; his most recent City Hall covering the government of Boston clocked in at four and a half hours. We absolve him because he is so good at taking us inside worlds that we don’t know, as his camera disappears and we learn so much by listening and observing, happy to have made the journey.
Comparisons to Wiseman’s work are inevitable as we describe the numerous joys of Maria Speth’s new documentary, Mr. Bachmann and his Class, the closing night film at Berlin & Beyond 2022, at the Berkeley Art Museum/Pacific Film Archive. It is now streaming on MUBI. Continue reading
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