By C.J. Hirschfield
I’ve got to believe that many people are turning to cannabis, wine, and the support of loving family members to get through our current pandemic. And to the extent that each of these supports have been grown organically, all the better.
By Joyce Goldstein
This is not an unbiased review of the new movie A Chef’s Voyage (now available on Virtual Cinema). I am an admirer of David Kinch and Manresa. Over the years he and I have become friends, chefs with vastly different cooking styles and of different generations. (He is the same age as my son, Evan.)
By Cari Borja
“tell me and i forget, teach me and i may remember,
involve me and i learn.
~ xun kuang
Ahh, the idea of being in a kitchen again ~ not mine, but someone else’s with others, (or even the kitchen I once had in my design studio in Berkeley, above) ~ apprenticing, learning, collaborating in the same tactile real space as other human beings (that I’m not related to)… making things and tasting things and giving others something they never knew they even wanted? I didn’t think I would actually have to imagine this, crave this even, as much as I do right now.
by Julie Lindow
Film posters of Mon Oncle by Jacques Tati and of course Citizen Kane by Orson Welles
Have you ever dreamt of opening a café or bar that would be the medley of everything you love? Have you ever worried that San Francisco is losing its creative venues because high rents demand investors who demand tried-and-true (i.e. boring) business formulas so that they can be assured of a return?
The Other Side of the Lost Continent Returns With A 30s French Comedy So Good You’ll Wonder How It Ever Became So Forgotten Continue reading
A Date with Double Exposures: Don Malcolm’s “Gallic Evangelism”
Reaches A Fever Pitch As He Aims for 101 French Noirs in 5 Years…
AS TOLD TO OWEN FIELD
An increasing fraction of the “noiristas” who travel from the Castro Theatre (lone dowager of San Francisco’s once-abundant “movie palace” tradition) to the upstart Roxie are grasping the odd, counterintuitive idea that their favorite “genre” (don’t let’s start THAT argument here!) might have a different history than the one commonly purveyed.