ORSON’S BELLY: Day and Night

by Julie Lindow

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Film posters of Mon Oncle by Jacques Tati and of course Citizen Kane by Orson Welles

Have you ever dreamt of opening a café or bar that would be the medley of everything you love? Have you ever worried that San Francisco is losing its creative venues because high rents demand investors who demand tried-and-true (i.e. boring) business formulas so that they can be assured of a return?

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FRENCH NOIR IN THE SPRING, TOO? INCROYABLE!

A Date with Double Exposures: Don Malcolm’s “Gallic Evangelism”

Reaches A Fever Pitch As He Aims for 101 French Noirs in 5 Years…

AS TOLD TO OWEN FIELD

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An increasing fraction of the “noiristas” who travel from the Castro Theatre (lone dowager of San Francisco’s once-abundant “movie palace” tradition) to the upstart Roxie are grasping the odd, counterintuitive idea that their favorite “genre” (don’t let’s start THAT argument here!) might have a different history than the one commonly purveyed.

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CALVADOS CLOSE-UP: On Moviemaking as Tasting Trip

by Jonathan Kiefer

The origin of AROUND THE SUN is this. My friend Oliver Krimpas and I had been trying to make a movie together for years. The plan was for me to write a script that he’d direct. After a false start with one project that couldn’t achieve liftoff, austere frugality seemed like the only way forward. I tried to think up some idea involving very few characters in mostly one locale. It was like the Mystery Box challenge: to take a few choice luck-of-the-draw ingredients, and a finite amount of time, and prepare a dish that Gordon Ramsay won’t spit out and yell at you for.

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A FRENCH DISCOVERY FROM THE OTHER SIDE OF THE LOST CONTINENT

Don Malcolm and Phoebe Green explain the particulars of their new French revival series to Owen Field.Enree lobbby card.jpgThe first of four films taking lovers of THE FRENCH HAD A NAME FOR IT into non-noir regions of classic French cinema will play in the intimate confines of the Little Roxie Theatre in San Francisco on April 4 at 6:30 pm, with a repeat screening on Saturday April 6 at 4:30. Consider it a “Sneak Preview” for a potentially landmark collection of cinematic discoveries rivaling the ongoing French noir juggernaut that enters Year 5 with two series later in 2019. Continue reading