By Noma Faingold. (March 18, 2026)
Claude Monet of France (1840-1926), the founder of Impressionism and the movement’s most prolific painter, reluctantly visited Venice in October of 1908. At the time, he had grown disenchanted with the way his “Water Lilies” paintings were progressing. His dealer, Paul Durand-Ruel, rejected the work, leading Monet to cancel the upcoming show at the Paris gallery and to destroy many of the paintings in the series.
The new feature film A Magnificent Life is an animated biography of the great French novelist, playwright, and filmmaker Marcel Pagnol. His first successes on film were “The Marseille Trilogy” composed of Marius, Fanny, and César. He continued making movies, adapting some for stage and writing numerous books that have also been adapted to screen by others such as the popular Manon of the Springs, Jean de Florette, My Father’s Glory, and My Mother’s Castle.starring many of the best actors in French cinema.
“The Man You Love to Hate” Takes Charge As The French Had A Name For It Takes A Final Bow
by Owen Field
A GALLERY OF FRENCH ’24 Part Two POSTERS, PHOTOS AND TRAILERS
A collection of rare images and evocative movie art. Continue reading
By Owen Field
THE sheer monumentality of Don Malcolm’s THE FRENCH HAD A NAME FOR IT “festival of the lost continent” has been difficult to grasp over its ten-year run. It resembles a whale obscured in a misty ocean—in this case, a mist-enshrouded history with some surprising historical suppressions.
Jean Gabin and Brigette Bardot in LOVE IS MY PROFESSION / EN CAS DE MALHEUR
Its singular insistence on a radically revised paradigm for the history of film noir is a bridge too far for those all too comfortable with either the “American exceptionalist” origin theories or the nebulous “darkness has no borders” mantra that steadfastly sidesteps Malcolm’s central insight.
By Robert Ottoson
One doesn’t have to consult IMDB to see which novel has been filmed the most times.
It’s easily LES MISÉRABLES.
By Julie Lindow
It is rare that watching a film can provoke a similar response as reading an author’s work, but The Art of Eating: The Life of M.F.K. Fisher does just that. One feels both starved and satisfied. Fortunately, Mary Frances Kennedy Fisher’s words on screen and paper not only awaken our hunger, but teach us how to listen to our own desires, how to slow down and pay attention, be curious, sensual, in the moment, and ultimately, how to more intensely live and love. Continue reading
MCP’s Unique Look at Gender Issues in Classic French Film
OWEN FIELD (interviewing Phoebe Green and Don Malcolm)
(March 28,2024)
In the midst of its long-running rare French noir series (that will exceed 150 titles screened when it concludes this fall), Midcentury Productions has opened the door to an entirely other aspect of classic French cinema: what we might call “the battle of the sexes.” It’s a rich area, because that battle is still going on—particularly in America, with reproductive rights suddenly front and center.
By Geneva Anderson
(March 16, 2024)
Haley Bennett rises to become the Grand Dame of Champagne in Thomas Napper’s “Widow Clicquot”
The Sonoma International Film Festival (SIFF27) is just around the corner, March 20-24. Set in the heart of the wine country, with a program that emphasizes film, food, wine, parties, and community engagement, SIFF has twice been voted one of the 25 coolest festivals in the world by MovieMaker magazine. SIFF27 showcases 43 narrative and 16 documentary features plus 48 shorts from over 25 countries. Continue reading
By Gaetano Kazuo Maida
“It’s never finished. It’s always in movement.”—Michel Troisgros 
Okay, so let’s say you’re like me and you don’t customarily (like, never!) spend $1000 for lunch for two, and it happens that you don’t live in France, and yet you have good taste in food, you know what it is to enjoy a fine wine occasionally, you’re curious about the synergies between sustainable agriculture and restaurants, and at the moment are feeling a bit peckish. Well, the universe is generous, and Menu Plaisirs Les Troisgros offers a reasonable facsimile of enjoying one of the world’s top haute cuisine institutions from the comfort of your own seat or couch for four hours, about the duration of a really nice long lunch, albeit without the tasting bit. Continue reading
By Owen Field
(Including fragments of an interview with Midcentury Productions’ Don Malcolm.) (November 30, 2023)
THE FRENCH HAD A NAME FOR IT is one of the world’s best-kept open secrets, spilling out a world of film noir—or, more accurately, perhaps, a “lost continent” that has been relentlessly explored at the Roxie Theater in San Francisco since November 2014.
Lino Ventura in WITNESS IN THE CITY (UN TEMOIN DANS LA VILLE)
