MOREAU AND THE AUTEURES INVADE THE ROXIE

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MCP’s Unique Look at Gender Issues in Classic French Film

OWEN FIELD (interviewing Phoebe Green and Don Malcolm)

(March 28,2024)

In the midst of its long-running rare French noir series (that will exceed 150 titles screened when it concludes this fall), Midcentury Productions has opened the door to an entirely other aspect of classic French cinema: what we might call “the battle of the sexes.”  It’s a rich area, because that battle is still going on—particularly in America, with reproductive rights suddenly front and center.

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Champagne Biopic “Widow Clicquot” opens Sonoma International Film Festival’s Tasty Program

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By Geneva Anderson

(March 16, 2024)

Haley Bennett rises to become the Grand Dame of Champagne  in Thomas Napper’s “Widow Clicquot”

The Sonoma International Film Festival (SIFF27) is just around the corner, March 20-24.  Set in the heart of the wine country, with a program that emphasizes film, food, wine, parties, and community engagement, SIFF has twice been voted one of the 25 coolest festivals in the world by MovieMaker magazine.  SIFF27 showcases 43 narrative and 16 documentary features plus 48 shorts from over 25 countries. Continue reading →

The Pleasures of an Omakase Movie

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By Gaetano Kazuo Maida

“It’s never finished. It’s always in movement.”—Michel Troisgros

Okay, so let’s say you’re like me and you don’t customarily (like, never!) spend $1000 for lunch for two, and it happens that you don’t live in France, and yet you have good taste in food, you know what it is to enjoy a fine wine occasionally, you’re curious about the synergies between sustainable agriculture and restaurants, and at the moment are feeling a bit peckish. Well, the universe is generous, and Menu Plaisirs Les Troisgros offers a reasonable facsimile of enjoying one of the world’s top haute cuisine institutions from the comfort of your own seat or couch for four hours, about the duration of a really nice long lunch, albeit without the tasting bit. Continue reading →

Why December 4th is the Date To Reintroduce Yourself To… THE LOST CONTINENT OF CLASSIC FRENCH FILM NOIR

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By Owen Field

(Including fragments of an interview with Midcentury Productions’ Don Malcolm.) (November 30, 2023)

THE FRENCH HAD A NAME FOR IT is one of the world’s best-kept open secrets, spilling out a world of film noir—or, more accurately, perhaps, a “lost continent” that has been relentlessly explored at the Roxie Theater in San Francisco since November 2014.

Lino Ventura in WITNESS IN THE CITY (UN TEMOIN DANS LA VILLE)

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The Art of Eating: The Life of M.F.K. Fisher- a film review

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Photo by George Hurrell 

By Julie Maravelis Lindow

(September 23, 2023)

It is rare that watching a film can provoke a similar response as reading an author’s work, but The Art of Eating: The Life of M.F.K. Fisher does just that. One feels both starved and satisfied. Fortunately, Mary Frances Kennedy Fisher’s words on screen and paper not only awaken our hunger, but teach us how to listen to our own desires, how to slow down and pay attention, be curious, sensual, in the moment, and ultimately, how to more intensely live and love. Continue reading →

GROWING UP IN LOVE WITH THE MOVIES

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By Meredith Brody

(November 5, 2022)

I’ve been a film buff ever since I first saw a re-issue of Cinderella at the Grand Lake Theater in Oakland when I was just a tot.

I wasn’t able to fully exercise my film buff inclinations for the next decade or so, as I was dependent on my parents for transportation. They made the movie choices, as well. Oddly, since they were both New Yorkers and went to movies weekly or more often as children, there was a joke amongst my siblings and I: “They take us to two movies a year, whether we need them or not.”

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THE BEST PROGRAMMING IN TOWN: French Noir

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By Meredith Brody

(November 5, 2022)

San Francisco is lucky to have Donald Malcolm’s French Noir Series, “The French Had a Name for It” at the Roxie.

The upcoming festival programs 15 films over four days at the Little Roxie, and once again I will be there for all of it.  It unspools on Sunday November 6 and Monday November 7, and the following on Saturday November 12  and Sunday November 13.    

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More Loudly Anticipating the San Francisco Silent Film Festival

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Part Two- What I Will Be Seeing

By Meredith Brody

May 4, 2022

I learned my lesson early with the San Francisco Silent Film Festival: GO TO EVERYTHING.

The first year I attended, I cherry-picked only the movies I hadn’t seen before.  The ones I went to were such a revelation – both in the presentation and the group experience – that my heart hurt as I walked away.  What a MAROON I was. Even a movie I thought I knew well would be a fresh experience, featuring as it did not only live music, but one of the world’s great audiences. There’s a kind of euphoria that sets in when you commit to seeing everything on offer. Continue reading →

IT ALL STARTED WITH A HOT PLATE

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By Joyce Goldstein

Julia McWilliams had an idyllic childhood in Pasadena California, raised in a conservative family with conventional American food.  When World War two broke out she enlisted and went to work at the OSS hoping to become a spy but ending up as a clerk typist. 

How did this start lead to being one of the world’s most beloved chefs?

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RECIPES FROM JULIA CHILD

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To celebrate the opening the new documentary Julia EatDrinkFilms is pleased to offer our readers four of Julia Child’s favorite recipes: Coq au Vin, Gratin Dauphinois and for dessert, La Tarte des Demoiselles Tatin. Plus one of her most famous dishes, Boeuf Bourguignon. We have some videos of Julia cooking on her own show and on David Letterman, the SNL spoof which Ms Child loved and more. Bon Appetit.

Julia opens exclusively in theaters throughout November, 2021. For more information go to the Official Website.

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“THE FRENCH HAD A NAME FOR IT 2021” Salutes Robert Hossein

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By Pam Grady

The Stockholm Syndrome was not yet recognized in 1970, but Robert Hossein’s Falling Point (Point de chute) provides a thrilling depiction of the complex. Screening as part of Donald Malcolm’s MidCentury Productions’ “The French Had a Name For It,” his ongoing survey of French noir taking place at the Roxie, Nov. 12-14, this intimate drama stars pop star Johnny Hallyday at the height of his beauty as Vlad, a kidnapper holding teenage Catherine (Pascale Rivault) hostage at an isolated seaside cabin. While his confederates (Hossein and Albert Minski) are away dealing with the ransom, Catherine’s escape attempts perversely draw her closer to her abductor.

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