Within the first seconds of Ella Fitzgerald: Just One Of Those Things British Eagle Rock’s documentary on the jazz vocalist, the seamless connection between the tempo and lyrics of Ella Fitzgerald singing How High The Moon and the shaky black and white images of Ella racing down the highway in a car portends that this is going to be a great film. Sit down, relax, and fix yourself a drink because this is a movie worth savoring.
A good documentary can take a subject we think we already know, and present it in a fuller and more complex context, leading us to a new level of understanding and appreciation. ONCE WERE BROTHERS; ROBBIE ROBERTSON AND THE BAND does just that, by telling the story of an iconic and pioneering Americana band of five that Robertson describes as “a beautiful thing—so beautiful it went up in flames.” The film, directed by Daniel Roher, also greatly benefits from interviews with the likes of Bruce Springsteen, Bob Dylan, Eric Clapton, Taj Mahal, George Harrison, and many others. Continue reading →
I have attended dozens of film festivals from the biggies like Cannes, Berlin, Toronto, Venice, SXSW and Sundance to more intimate gatherings of movies and their makers from Telluride high in the Colorado Mountains, Morelia in Mexico’s Michoacán to Devour! In tiny Wolfville, Nova Scotia.
Most screen new movies with occasional restorations while others focus exclusively on the classics. I like many of them though have burned out on the monster events. The San Francisco Bay Area hosts nearly one hundred film festivals a year including some of the best and most unique.
It is easy for me to claim that the San Francisco Silent Film Festival is my favorite. Some might say, “But they only show old movies.” It is true that most of the films were made before 1930 and the only sound is that of the live music and enthusiastic audience reactions.
One print of Silence is known to survive at the Cinémathèque Française. The Cinémathèque, Rob Byrne, and the San Francisco Silent Film Festival collaborated to have the surviving print scanned, digitally repaired and cleaned, translated from French back into the original English, then printed to film for exhibition and preservation.
It has just been announced that Kim Novak will appear before each presentation of The San Francisco Symphony performing a live orchestral accompaniment of Bernard Herrmann’s score to Alfred Hitchcock’s 1958 psychological thriller Vertigo. The classic film, set in San Francisco, was named “The Greatest Film of All Time” in the most recent Sight & Sound critic’s poll. Continue reading →