by Maria Elena Gutierrez
In the animated musical adventure Vivo a music-loving kinkajou called Vivo (Lin-Manuel Miranda) sets out to deliver a song written by his friend Andrés (Juan de Marcos González) to his long-lost love Marta (Gloria Estefan). Along the way, Vivo befriends an energetic young girl called Gabi (Ynairaly Simo) who helps him in his quest. Continue reading
By John Bengston
There was hidden interplay between movies filmed in Hollywood and in San Francisco. Buster Keaton filmed scenes adjacent to several San Francisco landmarks, but in each case before they were actually built!
Hosted by the San Francisco Silent Film Festival, I will be presenting “Silent Footsteps — From San Francisco to Hollywood” on Sunday, June 6 at 12:00 noon PDT, as part of its ongoing “Amazing Tales Online” series. The webinar is free (register HERE), but SFSFF welcomes new members and support.
By Andrea Chase
In conversation after a watch party for A CONCERTO IS A CONVERSATION, co-subject and co-director (with Ben Proudfoot) Kris Bowers said that part of the reason he wanted to make the film because the Emmy™-winning composer thought his grandfather, Horace Bowers, Sr., was a hero. A hero who should be celebrated. He also wanted to have an in-depth conversation with him while the 91-year-old was still with us. The result is a tender and intimate portrait of strength, joy, and how family shapes us.
By Kim Nalley
A 1938 portrait, when she appeared at Cafe Society in NYC with a swatch of gardenias in hair hairstyle, which from then on became her trademark. (Photo by George Rinhart)
Billie Holiday. Her name is eponymous with the phrase “jazz singer.” There is no jazz figure so well-known, yet shrouded in mystery, as Lady Day. Many important details of her life and her musical genius have been overshadowed by a lurid interest in her love life and drug use. Recently some articles based on faulty interviews emphasize her persecution in Hoover’s war on drugs without realizing this was a fact of life for all African American jazz musicians. I do not see the same attention given to Miles Davis’s or Charlie Parker’s drug use or their abusive relationships. Davis’s and Parker’s “women” are not given a megaphone to comment on them, and I never have seen their musical genius attributed to drug use. I sometimes see the hardships of being a Black man highlighted but I do not see the same courtesy given to Miss Holiday.
By C.J Hirschfield
Many fine films tell the story of charismatic teachers who change lives, and they serve to inspire. The new documentary River City Drumbeat is one of these films. Promoted as “a story of music, love and legacies,” it follows a dynamic African drumming corps for kids founded and taught by the magnetic Edward “Nardie” White as he prepares to turn the operation over to a successor after a 30-year run in urban Louisville, Kentucky.
by Kim Nalley
Within the first seconds of Ella Fitzgerald: Just One Of Those Things British Eagle Rock’s documentary on the jazz vocalist, the seamless connection between the tempo and lyrics of Ella Fitzgerald singing How High The Moon and the shaky black and white images of Ella racing down the highway in a car portends that this is going to be a great film. Sit down, relax, and fix yourself a drink because this is a movie worth savoring.