Hallelujah—Leonard Cohen, A Journey, A Song

A Review by Gaetano Kazuo Maida

July 1, 2022

They had me at “Leonard Cohen.”

Ever since Judy Collins introduced his song “Suzanne” on her great 1968 album, In My Life, his name on a project—book, album, song, film—had special meaning, somehow within and yet beyond pop culture. Here, it’s perhaps his best-known, and certainly most covered song, “Hallelujah” that takes the lead, and offers a lens through which to survey his life, the music business, and the cultural era he inhabited and inspired. Continue reading

“Hallelujah”- A Gallery of performance and Interviews

Leonard Cohen’s “Hallelujah” is he subject of a new documentary by Dayna Goldfine and Daniel Geller. Hallelujah: Leonard Cohen, A Journey, A Song opens in theaters exclusively in July and August, 2022. Read the review by Gaetano Kazuo Maida

We think you will enjoy seeing a selection from the dozens of musical stars and hundreds of amateurs (often on TV talent search shows), professional and community choirs, symphony orchestras, TikTok sensations, and many others have found satisfaction with this beautiful music and its many verses to interpret.

Continue reading

Gravity Spells Returns- “Embrace the Vortex”

By Brian Darr

May 19, 2022

In 2014 John Davis produced a double-album entitled Gravity Spells: Bay Area New Music and Expanded Cinema Art, which presented sound recordings made by himself as well as Maggi Payne, Tashi Wada, Ashley Beloun and Ben Bracken, paired with accompanying DVDs featuring work by local moving image artists Lawrence Jordan, Craig Baldwin, Paul Clipson and Kerry Laitala. The release was accompanied by four weekend performances at the Kala Art institute in Berkeley, and the discs quickly sold out.

Now nearly eight years later there’s a sequel release, Gravity Spells II involving an entirely new slate of Bay Area sound artists and filmmakers. This time around the performances celebrating the release will all be held  May 19-22  at venerable Mission District venue The Lab. Only the artists know quite what to expect, but they’re sure to present a unique live cinema experiences.

Continue reading

THE CZAR OF NOIR MAY NOT RING TWICE BUT HE ALWAYS DELIVERS THE GOODS

By Ben Terrall

After a two-year Corona Time hiatus, the Noir City film festival will return to the Bay Area from Thursday, March 24 to Sunday, March 27 at the Grand Lake Theatre in Oakland. This year’s lineup, themed “They Tried to Warn Us!,” features twelve mid-twentieth century Hollywood movies that address social problems which are still all too present today.

Continue reading

FELLINI 100 : A Celebration in Images, Words and Music

by Gary Meyer

“Why don’t you make films in color?” Federico Fellini was asked shortly after his 1963 black and white hit 8 ½.  He explained that it was not his right to determine for the audience the exact color of, say, a blade of grass or the blue in the sky. I was a teenager with a passionate interest in all kinds of movies, especially the exotic foreign films playing at theaters like Mel Novikoff’s Surf Theatre, Pauline Kael and Ed Landsburg’s Studio & Guild Cinemas and at the San Francisco International Film Festival— this intriguing answer that made sense to me until his next feature came out where he more than broke his rule. Juliet of the Spirits was so overwhelming in its use of color one might have thought it was soon to be banned and he needed to splash every tint and tone across the screen while he could. I loved it in 1965 and can’t wait to see it again on the big screen as part of the Fellini 100 celebration through May 14, 2022 at BAMPFA.

Screen Shot 2020-03-09 at 10.15.54 AM.png

Continue reading