‘Reflections’ of Diana Ross: Through the Mirror of My Mind

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By Noma Faingold  (August 13, 2025)

Diane Ross will be appearing at San Francisco’s Stern Grove on Sunday, August 17, 2025 in a free afternoon concert. While sold out, 1000 tickets will be given away Friday at 5pm. See bottom of this article for details.

The family hi-fi set-up, anchored by two giant hidden speakers, was located in the dining room. We never ate there unless we had company. No one who came to the house knew where the speakers were because the beige tweed fabric covering them matched the adjacent drapes.

The first Diana Ross album I bought was simply titled, “Diana Ross.” The 1970 release was her debut solo record. I was in second grade and my musical taste was already firmly established. I gravitated to the slick soul of Motown – artists like The Jackson 5, The Temptations, Stevie Wonder and especially Ross, as opposed to popular hardcore rock bands of the time, Black Sabbath, Deep Purple and Led Zeppelin.

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THE JOYS AND CHALLENGES OF MAKING A FILM ABOUT MARCELLA HAZAN

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Director Peter Miller talks with Geneva Anderson

(March 20, 2025- foods mentioned with an * behind them open to recipes)

Marcella Hazan is the secret ingredient that made Italian cuisine irresistible to Americans. Through her cookbooks and teaching, she taught home cooks to focus on fresh ingredients and master simple techniques to unlock flavor, which is what truly matters in food.  Emmy and Peabody Award winning director Peter Miller’s thoroughly engaging new documentary, “Marcella,” which just won a Taste award for best feature, masterfully pieces together Hazan’s life (1924-2013) and legacy.

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Music Hath Charms

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San Francisco’s A Day of Silents Features a Stellar Lineup of Musicians and Films on Sunday, February 2, 2025.

by Meredith Brody.                                                         (January 28,2025)

The Mont Alto Motion Picture Orchestra. Photo by Pamela Gentile.

You’ve all heard that silent movies really weren’t SILENT: they all had live musical accompaniment, ranging from a solitary guy at an upright piano or a mighty Wurlitzer to up-to-110-member symphonic orchestras. When Carmine Coppola was about to go on tour in 1981 to conduct his new score for his son Francis Ford Coppola’s restoration of Abel Gance’s 1927 Napoleon, he reminisced about the silent movie palaces of his youth: “”When I was really young,” Mr. Coppola recalled, ”I would go to Broadway to see a movie. I remember  The Thief of Bagdad, with Douglas Fairbanks; he always insisted on an original score. Those theaters – the Strand, the Rialto, the Rivoli, the Capitol – had 40-or 50-piece orchestras. It was so beautiful. I saw the Big Parade that way and What Price Glory and The Three Musketeers. ”

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SONGWRITER DIANE WARREN IS RELENTLESS

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An interview with Film Director Bess Kargman

By Noma Faingold

(July 18, 2024)

Director Bess Kargman knew going in that prolific songwriter Diane Warren, the subject of her latest documentary, doesn’t fully trust anybody. “It’s not in her nature,” Kargman said. “The biggest challenge was earning her trust. I had to navigate when to push her. She would get really anxious sitting in a chair too long and being away from her work.”

Diane Warren: Relentless screens on August 3, at 3:30 p.m., at the Piedmont Theatre, (4186 Piedmont Ave., Oakland) during the 44th Annual San Francisco Jewish Film Festival, July 18-August 4. Complete Festival Information and tickets.

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THE BEST PROGRAMMING IN TOWN: French Noir

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By Meredith Brody

(November 5, 2022)

San Francisco is lucky to have Donald Malcolm’s French Noir Series, “The French Had a Name for It” at the Roxie.

The upcoming festival programs 15 films over four days at the Little Roxie, and once again I will be there for all of it.  It unspools on Sunday November 6 and Monday November 7, and the following on Saturday November 12  and Sunday November 13.    

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Hallelujah—Leonard Cohen, A Journey, A Song

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A Review by Gaetano Kazuo Maida

July 1, 2022

They had me at “Leonard Cohen.”

Ever since Judy Collins introduced his song “Suzanne” on her great 1968 album, In My Life, his name on a project—book, album, song, film—had special meaning, somehow within and yet beyond pop culture. Here, it’s perhaps his best-known, and certainly most covered song, “Hallelujah” that takes the lead, and offers a lens through which to survey his life, the music business, and the cultural era he inhabited and inspired. Continue reading →

“Hallelujah”- A Gallery of Performances and Interviews

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Leonard Cohen’s “Hallelujah” is the subject of a new documentary by Dayna Goldfine and Daniel Geller. Hallelujah: Leonard Cohen, A Journey, A Song opens in theaters exclusively in July and August, 2022. Read the review by Gaetano Kazuo Maida. 

We think you will enjoy seeing a selection from the dozens of musical stars and hundreds of amateurs (often on TV talent search shows), professional and community choirs, symphony orchestras, TikTok sensations, and many others who have found satisfaction with this beautiful music and its many verses to interpret.

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Gravity Spells Returns- “Embrace the Vortex”

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By Brian Darr

May 19, 2022

In 2014 John Davis produced a double-album entitled Gravity Spells: Bay Area New Music and Expanded Cinema Art, which presented sound recordings made by himself as well as Maggi Payne, Tashi Wada, Ashley Beloun and Ben Bracken, paired with accompanying DVDs featuring work by local moving image artists Lawrence Jordan, Craig Baldwin, Paul Clipson and Kerry Laitala. The release was accompanied by four weekend performances at the Kala Art institute in Berkeley, and the discs quickly sold out.

Now nearly eight years later there’s a sequel release, Gravity Spells II involving an entirely new slate of Bay Area sound artists and filmmakers. This time around the performances celebrating the release will all be held  May 19-22  at venerable Mission District venue The Lab. Only the artists know quite what to expect, but they’re sure to present a unique live cinema experiences.

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THE CZAR OF NOIR MAY NOT RING TWICE BUT HE ALWAYS DELIVERS THE GOODS

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By Ben Terrall

After a two-year Corona Time hiatus, the Noir City film festival will return to the Bay Area from Thursday, March 24 to Sunday, March 27 at the Grand Lake Theatre in Oakland. This year’s lineup, themed “They Tried to Warn Us!,” features twelve mid-twentieth century Hollywood movies that address social problems which are still all too present today.

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