One print of Silence is known to survive at the Cinémathèque Française. The Cinémathèque, Rob Byrne, and the San Francisco Silent Film Festival collaborated to have the surviving print scanned, digitally repaired and cleaned, translated from French back into the original English, then printed to film for exhibition and preservation.
Custard pies made the news last summer, as a long-lost Laurel & Hardy film, the aptly-named The Battle of the Century (1927), was rediscovered. Containing the legendary double-act’s most extensive pie fight, the movie has been seen only in severely truncated form in recent decades, and the rescued footage is a welcome addition to a filmography whose tantalizing gaps have slowly been disappearing.
The fight itself is a classic, a reminder of how funny and detailed and varied such an activity can be, in the right hands. The first pie is slung by diminutive Charlie Hall, hitting Ollie’s big baby-with-a-tiny-mustache face. The second, Ollie’s retaliatory attempt, goes wide of the mark, according to a long-standing tradition, and explodes over Dorothy Coburn’s shapely ass. She turns to remonstrate and, in accordance with an equally venerable tradition, is hit full in the face by a second crust-load. From here, escalation to total whiteout is as gradual but inevitable as a marital argument or a world war. Soon, an entire street is bustling with gooey combatants, frantically pasting each other with pastries.
“Oh Anatol” is what I guarantee you’ll be sighing throughout The Affairs of Anatol as you follow our hapless hero (played by Wallace Reid) through a series of ill-fated advances on a variety of female archetypes. Continue reading →