By Brian Darr
May 19, 2022
In 2014 John Davis produced a double-album entitled Gravity Spells: Bay Area New Music and Expanded Cinema Art, which presented sound recordings made by himself as well as Maggi Payne, Tashi Wada, Ashley Beloun and Ben Bracken, paired with accompanying DVDs featuring work by local moving image artists Lawrence Jordan, Craig Baldwin, Paul Clipson and Kerry Laitala. The release was accompanied by four weekend performances at the Kala Art institute in Berkeley, and the discs quickly sold out.
Now nearly eight years later there’s a sequel release, Gravity Spells II involving an entirely new slate of Bay Area sound artists and filmmakers. This time around the performances celebrating the release will all be held May 19-22 at venerable Mission District venue The Lab. Only the artists know quite what to expect, but they’re sure to present a unique live cinema experiences.
by Gary Meyer
“Why don’t you make films in color?” Federico Fellini was asked shortly after his 1963 black and white hit 8 ½. He explained that it was not his right to determine for the audience the exact color of, say, a blade of grass or the blue in the sky. I was a teenager with a passionate interest in all kinds of movies, especially the exotic foreign films playing at theaters like Mel Novikoff’s Surf Theatre, Pauline Kael and Ed Landsburg’s Studio & Guild Cinemas and at the San Francisco International Film Festival— this intriguing answer that made sense to me until his next feature came out where he more than broke his rule. Juliet of the Spirits was so overwhelming in its use of color one might have thought it was soon to be banned and he needed to splash every tint and tone across the screen while he could. I loved it in 1965 and can’t wait to see it again on the big screen as part of the Fellini 100 celebration through May 14, 2022 at BAMPFA.
Curated by Gary Meyer
Charles Chaplin might be the most recognizable person in the world. His iconic Little Tramp image can be found everywhere. I am guessing that more books have been written about him than any movie star.
One of the many beauties of his work is that they communicate with people who speak any language.
And on Saturday, February 19, the San Francisco Silent Film Festival presents Chaplin’s 1931 masterpiece, CITY LIGHTS accompanied by the Oakland Symphony under the direction of Timothy Brock, at Oakland’s Paramount Theatre. This is a must see experience for all ages.
By C.J. Hirschfield
In 2020, more people in San Francisco died of overdoses than of covid-19—an almost impossible statistic to comprehend.
So a film featuring people living in that city who are in recovery from addiction is timely and hopeful; what is unique is that all nine of them have had their lives dramatically transformed by the “alternative high” they achieve through art-making.
Vincent Price was not only a great actor but an artist, a serious art collector with the Southern California Vincent Price Museum Art Museum, and most importantly, a fine chef. EatDrinkFilms is pleased to bring our readers a preview with some Halloween recipes.
BY C.J. Hirschfield
Writer Pearl S. Buck said that “To find joy in work is to discover the fountain of youth.”
Two of the remarkable Bay Area women featured in the 10th annual Legacy Film Festival on Aging have seemingly done just that, and they’ve used their collective 200 (!) years of rich experience to arrive at a place where they now choose to enlighten and inspire.