by Vince Keenan
It’s one of the great ironies of the classic cocktail renaissance that the drink best showcasing the movement’s ingenuity does so because it frequently can’t be made.
by Vince Keenan
It’s one of the great ironies of the classic cocktail renaissance that the drink best showcasing the movement’s ingenuity does so because it frequently can’t be made.
by Vince Keenan
The current cocktail renaissance comes garnished with nostalgia, a longing for the bygone era when drinks were poured as part of an evening out in sophisticated nightclubs. No amount of speakeasy trappings and period bartender facial hair can recapture the glamour of yesteryear’s storied watering holes. The next best thing is to enjoy libations named in their honor.
by Vince Keenan
The 1919 founding of United Artists was greeted with disdain. “So the lunatics have taken charge of the asylum,” Metro Pictures president Richard Rowland remarked when a quartet of Hollywood luminaries went into business for themselves. But UA’s long, storied run—“from Way Down East to Raging Bull ,” in the words of critic David Thomson—taught the valuable lesson that “the most creative people in the picture business should do all they can to look after each other. No one else is going to do it.” Almost as impressive as UA’s artistic legacy, three of the company’s four principals have cocktails named after them. Nobody ever ordered a Thalberg. Or a Selznick Fizz. Continue reading
Vince Keenan is the author of the best-selling Kindle book Down the Hatch: One Man’s One Year Odyssey Through Classic Cocktail Recipes and Lore. This post marks his inaugural column on cocktails for EatDrinkFilms, “Down the Hatch.”