Through a lens darkly…
by Michael Fox Good news, noir aficionados: It’s raining. During our hot streak of parched winters, it took a certain panache to attend Noir City—let alone strut around town—in a trench coat. Bogie could pull it off,
Search Results for: Eddie Muller
More Who’s Oscar?
We continue to pass on comments from filmmakers, writers and festival directors in response to last week’s Oscar nominations.
Mother Directs: Ida Lupino Behind the Camera
by Ruthe Stein Two of Ida Lupino’s strongest films as a director will be shown for free Sunday November 22 at the Balboa Theater in San Francisco. The Bigamist screens at 11 a.m. followed by The Hitch-Hiker at 12:30 p.m. Ida Lupino liked to be called “mother” on a movie set. She even had The […]
Mayan Sushi, Czar of Noir on Gangster Depp, 2 Offal & 2 Pasta Recipes, Shaken & Stirred Cocktails, Eat Real All Weekend
Welcome to issue 73 of EatDrinkFilms. This week’s issue brings a variety of responses to the vitality of Anthony Lucero’s Oakland-set movie East Side Sushi. In one of two installments of “Critics Corner” this week, Tien-Tien L. Jong foregrounds the film’s layered approach to tradition and its dedication to a woman’s story, of self-determination, while […]
Critics Corner: Black Mass
Read two critical perspectives on Black Mass, by Eddie Muller and Jeffrey M. Anderson.
Noir City 13: ‘Til Death Do Us Part
by Kelly Vance Even as film noir has gained popularity with audiences recently, an old complaint about it surfaces from time to time: That it’s more or less a “boys’ club,”
eatdrinkfilms.com 