PFA: Kenji Mizoguchi–A Cinema of Totality

by Frako Loden [Be warned: Plot spoilers abound] Mizoguchi Kenji (1898-1956) is always in the holy trinity of directors—Kurosawa Akira and Ozu Yasujirô are the other two—invoked by Western cineastes as Japan’s greatest.  But perhaps aside from his 1953 Ugetsu , which won a Silver Lion at the Venice Film Festival, few non-scholarly filmgoers have […]